An American psychologist, hired to coach a fashion designer, helps a guarded French detective unravel a list of fashionable suspects after a murder happens backstage of a Paris fashion show.
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[00:00:00] Hi, I'm Brad. Oh boy, I don't know. That's not okay. Just jumped out off a cliff.
[00:00:09] I heard. Well, she's, she's been up, but there's still some, I know, we go.
[00:00:15] We have on the, we, we, we have on this, tears, Maliki charms.
[00:00:19] They're always after me. I love Hallmark movies. I'm Brian, I like all my movies.
[00:00:25] This is the day. It's all working well.
[00:00:27] We, we, and then by the way, it's his podcast.
[00:00:31] We hope you like this, darling.
[00:00:40] Podcast. Well, hello everybody. How are we?
[00:00:49] Great. So good Tuesday.
[00:00:52] I'm still, I'm still feeling that St. Paddy's party we went to over the weekend.
[00:00:59] Oh, what is in England? You guys went. Yeah.
[00:01:02] It's not crazy. So I'm about to go.
[00:01:05] Yeah, you got to. We went into the, we went, yeah, go ahead, Hi, Aaron.
[00:01:10] We do the party at dance house. We do the party at dance house.
[00:01:13] I thought we were going to tell them. And then we, we had a giant bowl made,
[00:01:20] filled it with lucky charm and milk, and we all got in.
[00:01:25] No, we invited people straight his pool. Yeah.
[00:01:29] We opened it up. The pool drained it covered. Yeah, we opened it up.
[00:01:34] You got the tools out. Drained it. We did not know we cut it open.
[00:01:38] Machete style. Yeah, yeah, yeah.
[00:01:40] Drained it. Perfect. Filled it with milk.
[00:01:43] Lucky charm. Quite a deal of money on lucky charms.
[00:01:46] It was right off. It was the right.
[00:01:48] The business. Don't look at the credit card statement.
[00:01:51] Wow. Yeah. What a weekend.
[00:01:53] It was while we invited everybody.
[00:01:55] We had so much fun. And so that was a good St. Paddy's day.
[00:02:00] You're still you're what you're saying is you're still like on the,
[00:02:04] on the, on the, on the, on the mend. If I'm still on the mend,
[00:02:07] I had a lot of lucky charms. Yeah.
[00:02:09] I don't get you. Yeah.
[00:02:10] Yeah. Find any car.
[00:02:11] When they're stealing tiles and when break is lucky charms.
[00:02:14] Yeah. It is.
[00:02:15] Boy.
[00:02:16] It's a special kind of love that accent that he does then is offense.
[00:02:20] It is. I can't. We have a clip, but I can't.
[00:02:22] I won't. I know I can't. I don't let my kids do it.
[00:02:25] I guess to have lucky charms as a serial choice for breakfast anymore.
[00:02:28] Because they just pick out the marshmallows and I just am like,
[00:02:32] you're going to need something that's not much.
[00:02:34] Yeah, it takes a few years. You had a little experience.
[00:02:37] You don't know that you can, you can, you can buy enough boxes of who
[00:02:42] was somebody.
[00:02:43] It could be all Malo somebody sent in just the bag of marshmallows.
[00:02:48] This was months ago and I ended it in a day.
[00:02:51] It was no about it. No one else.
[00:02:54] No, I know you don't care.
[00:02:56] No, you don't like.
[00:02:57] No. I didn't wasn't planning on eating a marshmallow.
[00:03:00] He doesn't like it.
[00:03:01] He doesn't like it.
[00:03:02] Lucky charm.
[00:03:03] Good.
[00:03:04] I did one story, but lucky charm.
[00:03:05] Go ahead.
[00:03:06] Oh, Aaron Kim.
[00:03:07] Oh, yeah, Aaron Kim.
[00:03:08] Like the Eagle Kim.
[00:03:09] I know. I know.
[00:03:10] Yeah. Okay.
[00:03:11] Hi, Aaron.
[00:03:12] Hi. So growing up my brother would always wake up earlier than me.
[00:03:16] Yes.
[00:03:17] And he would pour himself a bowl of lucky charms or whatever sugary cereal
[00:03:21] with marshmallows and whatnot.
[00:03:22] There's another one.
[00:03:23] Well, like a knockoff.
[00:03:24] For a fortunate saying.
[00:03:26] But he would just eat all the marshmallows out.
[00:03:29] Yeah.
[00:03:30] And then pour the cereal back in because it's all right.
[00:03:32] Oh, wow.
[00:03:33] What a move.
[00:03:34] That's dirty.
[00:03:35] What a move.
[00:03:36] The four of those aerobic.
[00:03:37] So weird.
[00:03:38] Aaron's brother.
[00:03:39] He's like two marshmallows.
[00:03:40] Oh, those Aaron's several boxes.
[00:03:42] That's my stop-man.
[00:03:43] I wasn't done.
[00:03:44] I mean he was younger.
[00:03:45] It wasn't intentional.
[00:03:46] He was just like, all right, I'm not going to eat this.
[00:03:47] Save it for later.
[00:03:48] And then I would just.
[00:03:49] That's like the innocence of a child.
[00:03:51] My kids are starting to get into sushi and they'll ask for a piece of sushi
[00:03:54] and they'll eat the top of the sushi off and hand me the rice back.
[00:03:58] I'm like, bro.
[00:03:59] That's not.
[00:04:00] Well, now I will say and I do think that this was pretty mature of me.
[00:04:05] Pretty mature of you?
[00:04:06] Pretty mature of me.
[00:04:07] Okay.
[00:04:08] You're a viewer of you.
[00:04:09] Say it right.
[00:04:10] It was pretty mature of me.
[00:04:11] I would pull myself a bowl of lucky charm.
[00:04:15] And I would sometimes if I was feeling saucy, I would not put milk in it.
[00:04:24] And I would just pick out all the marshmallows.
[00:04:28] Then I'd pour a little bit of milk and eat the cereal part.
[00:04:31] And then smoosh the marshmallows together into one giant marshmallow bowl.
[00:04:36] And I'd pop that ball right in my mouth.
[00:04:38] That is disgusting.
[00:04:39] Just like sitting there with it in your cheek.
[00:04:41] You have done a lot of disgusting things.
[00:04:43] Why is that disgusting?
[00:04:44] That's gross.
[00:04:45] It's so gross.
[00:04:46] Why is that disgusting?
[00:04:47] You're going to warm up the marshmallows.
[00:04:48] No, I'll send your hands over the ball.
[00:04:49] You're going to warm up the ball.
[00:04:50] I'll send you a big ball.
[00:04:51] I'll send you a big ball.
[00:04:52] Oh, you're pretty COVID.
[00:04:53] Oh, well in that case.
[00:04:54] Yeah, I'm doing weird movement.
[00:04:55] Okay, here's one other thing I used to do.
[00:04:58] Pre-involving or building.
[00:04:59] Okay, I had a thing for creating balls.
[00:05:03] Summer balls.
[00:05:04] You know when you were a kid at lunch, I don't know if it's probably not.
[00:05:09] But you had a roll.
[00:05:11] Did you ever get a roll?
[00:05:13] Of what?
[00:05:14] There's no bread.
[00:05:15] Yes, no bread.
[00:05:17] Yes, no cookies.
[00:05:20] Yeah, yes.
[00:05:21] A roll.
[00:05:22] A dinner roll.
[00:05:23] A lunch roll.
[00:05:24] A dinner roll.
[00:05:25] So for some reason.
[00:05:26] And then I'm looking back this year.
[00:05:27] Oh no.
[00:05:28] You're going to be worse than the bad.
[00:05:29] I'm not going to lie.
[00:05:30] I'm not going to lie.
[00:05:31] I don't see you dig out the middle.
[00:05:32] I don't see you dig out the middle.
[00:05:33] Well, what did you put in there?
[00:05:34] Chocolate milk.
[00:05:35] What?
[00:05:36] Yeah, and making into it.
[00:05:37] I'm making into a bread ball and I dip it in chocolate milk.
[00:05:43] How are you still alive?
[00:05:44] How would you...
[00:05:45] The chocolate mooks in a carton?
[00:05:46] Yeah, I'd pour something onto the tray.
[00:05:48] Yeah, I got food on the tray.
[00:05:50] Yeah, I can't.
[00:05:51] All you could.
[00:05:52] I'm so excited.
[00:05:54] Thanks.
[00:05:55] That's just a good question.
[00:05:56] Thank you, Syrian.
[00:05:57] This is starting COVID.
[00:05:58] Whatever you did in the cafeteria is indirectly linked to COVID.
[00:05:59] He's going to cheekful of marshmallows.
[00:06:00] He's looking at chocolate.
[00:06:01] Going to the cafeteria tray and bread bowl style dipping that dude.
[00:06:08] You're what every European thinks of Americans.
[00:06:13] It should be the mellowy Servet Rielbray.
[00:06:15] server. You did not understand Frisk.
[00:06:18] All I'm gonna say is your bread and dip it in the chocolate milk on the tray.
[00:06:25] People might think it's gross.
[00:06:27] I say, I say, I'm a trailblazer.
[00:06:30] I say before, you know, for sushi became something that people did.
[00:06:38] I'm sure people are like, you're eating raw fish.
[00:06:41] Sushi is something that people have done for thousands.
[00:06:44] I maybe, but at one point they didn't.
[00:06:46] At one point, they did not.
[00:06:50] Right. And there was some weirdo.
[00:06:52] I got to be honest.
[00:06:53] There was some weirdo at some point.
[00:06:55] You're carrying this up.
[00:06:56] God the fish just said, I'm not gonna cook it.
[00:06:59] It's the worst.
[00:07:00] I'm going to eat it.
[00:07:01] This is the worst possible example because I'm pretty sure
[00:07:05] for all of humanity people have eaten raw fish.
[00:07:08] Okay.
[00:07:09] Pretty sure since.
[00:07:10] Probably before they cooked it.
[00:07:11] But for yes, I'm pretty sure since the first man, however you believe that
[00:07:15] origin story happens to something else.
[00:07:16] Raw fish is a bad example.
[00:07:18] Do better.
[00:07:19] Pizza, I don't know, pick something else.
[00:07:21] Yeah.
[00:07:22] Anything else?
[00:07:23] So.
[00:07:24] So.
[00:07:25] I think about food.
[00:07:26] Yeah.
[00:07:27] At some point it wasn't stated at first and I'm sure people looked at them and said,
[00:07:33] ill and then they tried.
[00:07:34] I'm surprised the cafeteria tray chocolate milk roll breadball has not caught on.
[00:07:39] Next week I'm going to bring us in a roll and some chocolate milk and we can all try
[00:07:43] it.
[00:07:44] If you don't like it, I'll try it.
[00:07:46] You don't like it.
[00:07:47] You don't like it.
[00:07:48] But all I'm saying is try new things.
[00:07:50] Get started.
[00:07:51] The fact that you are giving a lecture on trying to do this.
[00:07:55] I've been trying to love this year that you're doing my job but still this is crazy.
[00:08:03] Crimes of fashion.
[00:08:04] Um, Colin.
[00:08:05] So we're talking about Colin killer clutch.
[00:08:07] Gotta be honest, disappointed by the, I mean, I guess whatever.
[00:08:12] We'll get into it.
[00:08:13] It is a clutch several on some like they dropped the clutch.
[00:08:17] It's got all the things in it.
[00:08:18] Right.
[00:08:19] You're right.
[00:08:20] You're right.
[00:08:21] It's also the counterfeit clutches.
[00:08:22] Yeah.
[00:08:23] I think of the counterfeit clutches though as more of a box but it is a clutch.
[00:08:25] It is definitely a clutch.
[00:08:26] It's a clutch.
[00:08:27] It's a hard clutches.
[00:08:28] No one knows clutches or try new things.
[00:08:29] No one knows.
[00:08:30] Better than president.
[00:08:31] Um, March 15th, um, 2024 is when I originally premiered one a little something like this
[00:08:37] and we're in Paris.
[00:08:38] We, we, we, we, we, we, we, we, we, we, we, we, we, we, we, we, we, we, we, we,
[00:08:46] um, and we see a woman jump through a warehouse window.
[00:08:50] Someone is shooting at her from behind.
[00:08:52] She falls down and the person comes up.
[00:08:56] Look sat her.
[00:08:57] I mean, I think he's blurry but look sat her holds the gun up and boom.
[00:09:03] Gunshots.
[00:09:04] Exactly right.
[00:09:06] Look, Phil's the screen and we cut to two weeks earlier.
[00:09:10] That same woman is walking through Central Park with her dad.
[00:09:13] Her name is Lauren.
[00:09:14] She is a psych, she is a psychologist.
[00:09:18] Sometimes it gives me a tough.
[00:09:20] Yeah.
[00:09:21] I love, I love therapy.
[00:09:23] Uh, better help.
[00:09:24] Better look home.
[00:09:25] She's a psychologist and she's about to have her first session with a fashion designer,
[00:09:32] a famous fashion designer named Virgil Saint James, Rebecca's brother.
[00:09:38] And, um, I've not been coming.
[00:09:41] No.
[00:09:42] And, um, so you know, he's very, very stressed about this upcoming fashion show that he has.
[00:09:48] So she's going to go in and try to calm him down and she does just that.
[00:09:53] She crushes it.
[00:09:54] She's amazing.
[00:09:55] And he says, you know what?
[00:09:56] You're coming with me because in case, in case I'm having another one of these breakdowns,
[00:10:01] I'm going to need you by my side to talk me down, to help me and I love that.
[00:10:06] And so she's nervous.
[00:10:08] She's a little hesitant at first but she says yes.
[00:10:12] And she arrives in Paris.
[00:10:14] She's taking it all in.
[00:10:16] She's learning about, you know, counterfeits as we talked about counterfeits and, um, all
[00:10:23] sorts of other stuff.
[00:10:24] She's just watching, um, this one guy who is very mean and is grumpy.
[00:10:32] And we all know his name and we're all going to say it on the count of three.
[00:10:35] One, two, three.
[00:10:36] Oh, oh.
[00:10:37] Oh.
[00:10:38] So take all that in and just know that that guy, he's going to die.
[00:10:43] That's more like a trailer.
[00:10:46] It's time for the fashion show.
[00:10:49] And this is exciting because this is a chance for virtual to really showcase all these new
[00:10:57] stuff.
[00:10:58] And people are there.
[00:10:59] This lady who runs this big fashion magazine is there, who one, two, three, one, two,
[00:11:07] kind of they got an argument earlier.
[00:11:09] There's all sorts of people that are excited for this fashion show.
[00:11:14] Because right before the show begins, we see Virgil pin put a brooch if you will on one
[00:11:21] of the models.
[00:11:22] And this means that she's wearing the spotlight dress in real showcase.
[00:11:27] And there's a big on.
[00:11:28] I'm pretty sure that this brooch won't come back in any way shape.
[00:11:34] We will approach that subject again.
[00:11:37] If you were a ball of bread, I don't get right in that top of the bread.
[00:11:43] I'd eat right up.
[00:11:44] I'd like you.
[00:11:45] That's how much I love that.
[00:11:46] I bet you would.
[00:11:47] Which do is the middle of the bread bowl that you pulled out.
[00:11:50] Do you put it in like charms?
[00:11:52] No, I need the whole bread.
[00:11:54] I'd yeah.
[00:11:55] You can hollow it out.
[00:11:56] You were saying hollow it out.
[00:11:57] Yeah.
[00:11:58] No, it's something that's going to stop up all that.
[00:12:00] It was a chocolate and it was a soft bread.
[00:12:03] No hard parts.
[00:12:04] Okay.
[00:12:05] All right.
[00:12:06] Thank you.
[00:12:07] We got to a restaurant where they bring bread.
[00:12:09] Can you ask for a side of milk?
[00:12:11] Maybe tonight.
[00:12:12] Can you bring me a sure finest chocolate?
[00:12:14] Yeah.
[00:12:15] Chocolate, milk.
[00:12:16] But if I could get a chocolate martini, I would do that in a heartbeat.
[00:12:19] You're just kidding.
[00:12:20] Bread sticks and a chocolate martini.
[00:12:21] Chocolate martini.
[00:12:22] No, not a bread stick because that's got too much seasoning.
[00:12:24] Yeah.
[00:12:25] No, you want the bread.
[00:12:26] The dinner roll is just like plain bread.
[00:12:27] Yeah.
[00:12:28] 100% in your chocolate martini.
[00:12:29] Guys, I don't think this is this crazy.
[00:12:31] Brainadtechthomark.com if you've ever done to me right now.
[00:12:34] Let me have a trace-lay-chase cake which is cake covered in milk, soaked in milk.
[00:12:40] 100%.
[00:12:41] Yeah.
[00:12:42] It's not that it...
[00:12:43] You're having a hard time with the try.
[00:12:46] I think we have to try it.
[00:12:47] It's a lot better than it is.
[00:12:48] No, no, no, no.
[00:12:49] It's for no reason.
[00:12:50] It's the tray.
[00:12:51] It's one of my hard times when you're having a classic tray.
[00:12:52] It's a Ford carton milk onto a cafeteria tray and then rub bread around and then ate
[00:12:58] it, buddy.
[00:12:59] That isn't good.
[00:13:00] It's a styrofoam tray.
[00:13:01] It's not like a reusable one.
[00:13:03] Oh, okay.
[00:13:04] Well that's a...
[00:13:05] It's still not great but it was a plastic styrofoam.
[00:13:08] No, styrofoam.
[00:13:09] That's what we had.
[00:13:10] Yeah.
[00:13:11] No, like you don't get anything in milk at any sort of carbon milk is not going to taste
[00:13:14] terrible.
[00:13:15] No.
[00:13:16] I'm not...
[00:13:17] That's not why I was disgusting to me.
[00:13:18] It would be very clear.
[00:13:19] I wouldn't care.
[00:13:20] Look at us now.
[00:13:21] Me and my other tables have turned.
[00:13:23] Well, look at us.
[00:13:24] Look at me.
[00:13:25] Look at you.
[00:13:26] Um...
[00:13:27] So the show's a big success.
[00:13:29] Virtual St. James comes up, gives us speech and that's where we're here as screen.
[00:13:32] Oh, Aaron.
[00:13:33] It's green.
[00:13:34] Thank you.
[00:13:35] Uh, one more time.
[00:13:37] Thank you.
[00:13:38] We hear two screams.
[00:13:40] Just like that.
[00:13:41] It's like...
[00:13:42] It's green.
[00:13:43] It's green.
[00:13:44] It doesn't sound so good.
[00:13:45] It's green.
[00:13:46] It's green.
[00:13:47] It sounds pretty amazing when we got that clip.
[00:13:48] Could you play it one more time, Aaron?
[00:13:49] No, she cannot.
[00:13:50] Aaron, one more time if he does go ahead and get Aaron.
[00:13:51] Go ahead.
[00:13:52] Oh!
[00:13:53] Thank you, Aaron.
[00:13:54] Uh, and with the camera pans up there's like a second story but it's fully exposed.
[00:13:59] You can see it.
[00:14:00] I'm just trying to paint a picture.
[00:14:01] It's fully exposed.
[00:14:02] It's fully exposed.
[00:14:03] It's fully exposed.
[00:14:04] It's fully exposed.
[00:14:05] It's fully exposed.
[00:14:06] It's fully exposed.
[00:14:07] It's fully exposed.
[00:14:08] It's fully exposed.
[00:14:09] It's fully exposed.
[00:14:10] It's fully exposed.
[00:14:11] It's fully exposed.
[00:14:12] And we see Lauren's best friend Charlotte is standing over what we assume is a dead body based
[00:14:12] off of the screen.
[00:14:13] Again, it sounded a little something like this.
[00:14:15] Thank you.
[00:14:16] And she's standing right over this dead body.
[00:14:20] The dead body of the guy that we all know and three, two, one...
[00:14:23] She's dead.
[00:14:24] She's dead.
[00:14:25] And he's dead.
[00:14:26] He's dead.
[00:14:27] There's a...
[00:14:28] What is that exactly, Aaron?
[00:14:29] The hair type thing.
[00:14:30] Yes.
[00:14:31] Very sharp and it's just...
[00:14:32] Straight through the back.
[00:14:33] Straight through the back.
[00:14:34] It's when I think through the back.
[00:14:35] Yeah, like a hair clip.
[00:14:36] Yeah, hair clip.
[00:14:37] I don't think it's a hair clip.
[00:14:38] It's something that they designed dress with.
[00:14:40] You can cut with it.
[00:14:41] Like they designed a...
[00:14:42] Sheers.
[00:14:43] Sure.
[00:14:44] No.
[00:14:45] They weren't scissors.
[00:14:46] No.
[00:14:47] They were like hold stuff in place things.
[00:14:48] But they're not clips.
[00:14:49] No, it wasn't like a hair clip.
[00:14:50] No, there was like...
[00:14:51] No, it looked like it.
[00:14:52] It was like a...
[00:14:53] Kind of like a diamond and there was two holes in the middle.
[00:14:55] It actually...
[00:14:56] You get a lot of people listening who are shouting out what this is.
[00:14:58] We're not hearing those.
[00:14:59] We're not hearing those.
[00:15:00] We're not hearing those.
[00:15:01] Yeah.
[00:15:02] It looks a lot like a weapon, not so much like what it is that he said.
[00:15:05] He said he said the guy we all know, we love him.
[00:15:08] Yeah.
[00:15:09] Definitely was on IMDB and we knew his name and everything.
[00:15:13] So, Charlotte gets arrested on suspicion.
[00:15:16] You know, she had a bag full of these weapons...
[00:15:20] Weapons.
[00:15:21] ...of personal destruction.
[00:15:24] And so she tells Lauren, hey, I saw someone coming down the stairs.
[00:15:30] Right before I went up.
[00:15:33] So, I don't know who it was but it could be that they...
[00:15:36] They done did it.
[00:15:37] She brings this information to the detective, detective Andre,
[00:15:41] who we meet and we're not upset about it.
[00:15:43] And along with some other stuff that she's figured out and he's like, wow!
[00:15:47] You're good.
[00:15:48] Keep this going.
[00:15:49] I gotta be honest with you,
[00:15:51] the police here in Perry slows molasses.
[00:15:55] If you could do us a favor and keep looking into this,
[00:15:59] that'd be really great for us.
[00:16:01] So, she does just that.
[00:16:02] She's...
[00:16:04] That kind of allows her to constantly be in contact with Andre.
[00:16:07] Hanging out with Andre.
[00:16:09] Getting to know Andre.
[00:16:10] They have a scene where they get dressed up together and say, oh boy!
[00:16:14] Stuff like that.
[00:16:15] Another person is found dead.
[00:16:18] They assume self-inflicted...
[00:16:22] Not so sure.
[00:16:24] And listen, either is Lauren because Lauren sneaks in after the fact
[00:16:27] finds a USB drive on the back of a picture frame,
[00:16:31] pops that in, finds an address, goes to this address
[00:16:34] and it is the warehouse from the beginning.
[00:16:37] And inside this warehouse is a ton of counterfeits.
[00:16:42] We're talking about counterfeits.
[00:16:44] It's been a big problem these counterfeits.
[00:16:47] And the guy who died, he was not about these counterfeits.
[00:16:51] He wasn't about this counterfeit life.
[00:16:53] You wanted to make sure that we got to the bottom of this.
[00:16:56] So she says, hey, I think that whoever is in charge of these
[00:17:01] this warehouse is doing these counterfeits.
[00:17:03] Probably is responsible for the murder.
[00:17:06] So they, the police, you know, found the time
[00:17:11] and their busy schedule had lunch.
[00:17:13] To Chris Long shows up and everything's gone.
[00:17:18] The counterfeits are all gone.
[00:17:20] Just like that.
[00:17:21] Over the...
[00:17:22] How?
[00:17:23] The least for the building though is the signature
[00:17:27] to Virgil St. James Biggest Rival.
[00:17:30] Dolce.
[00:17:31] Dolce and Maria.
[00:17:34] And they bring Dolce in and Dolce is like,
[00:17:38] it's a forgery.
[00:17:40] Well he says it and so it must be.
[00:17:43] There's nothing that we can do.
[00:17:46] And so...
[00:17:47] She decides she's going to head back to the warehouse
[00:17:51] there must be something there.
[00:17:53] Like they can't just move everything out.
[00:17:55] There has to be something there that would give us some sort of information
[00:17:57] and she discovers a door that says danger.
[00:18:01] That's a joke.
[00:18:02] Get out of here.
[00:18:03] Watch yourself.
[00:18:04] I think it says danger.
[00:18:05] There's a dog!
[00:18:06] There's a dog in here.
[00:18:07] I think is what it says.
[00:18:08] It does, yes.
[00:18:09] And she says, well I like dogs.
[00:18:11] So she opens up the door and she realizes that behind this door...
[00:18:14] Gunshot.
[00:18:15] ...is...
[00:18:16] Stercase.
[00:18:17] She goes down to Stercase.
[00:18:18] She sees boxes and boxes and boxes of counterfeits.
[00:18:22] Killer clutches.
[00:18:23] Oh, those clutches are killer.
[00:18:25] She then also discovers the brooch.
[00:18:31] Oh.
[00:18:32] That Virgil St. James would put on every final showcase.
[00:18:38] I thought we were done with the brooch.
[00:18:40] And she looks at it, picks it up.
[00:18:43] And that's when Virgil St. James says those words,
[00:18:46] we all know.
[00:18:47] Lili!
[00:18:48] I don't know.
[00:18:49] He's there, he says something.
[00:18:51] And she's like come back up here.
[00:18:55] She gives him the brooch and kind of talking about how...
[00:19:01] Why...
[00:19:02] He basically admits to it and why he did it.
[00:19:04] Apparently, he started making counterfeits after not getting this big thing.
[00:19:09] Like he kind of decided this would be a way to do stuff.
[00:19:12] And the guy who died in 321.
[00:19:16] Don't know what you mean, Missy.
[00:19:19] He found out...
[00:19:20] Oh, I have to.
[00:19:21] ...found out approached him and that's when obviously Virgil was like,
[00:19:25] well he knows about it.
[00:19:26] He's starting to go to the police.
[00:19:27] I got to end this.
[00:19:29] And that's why he did that.
[00:19:31] And she like does some psychology stuff here.
[00:19:36] Combs him down with just enough time for her to push a bunch of barrels on him
[00:19:43] like the game with Donkey Kong.
[00:19:45] And so she then jumps through the warehouse windows as we saw at the beginning of this movie
[00:19:51] Boom Boom Gunshot Gunshot.
[00:19:53] And she's on the ground and just as he is about to pull the trigger,
[00:19:58] boom hit by a car.
[00:20:00] Andre's there.
[00:20:01] Not Gunshot at all.
[00:20:03] Andre is there.
[00:20:04] He arrests him.
[00:20:05] Charlotte is released.
[00:20:07] We love that.
[00:20:08] And I think she's going to stay in Paris for a while.
[00:20:14] And Andre's not upset about that and they walk away and eat some croissants
[00:20:19] and that my friends was.
[00:20:21] Crimes of fashion.
[00:20:23] Killer crush.
[00:20:25] We did it aside from Brian.
[00:20:27] Missy this title at all.
[00:20:29] He's taking half day.
[00:20:30] No, no, full day.
[00:20:32] He's taking half day.
[00:20:33] Oh, I just have to.
[00:20:34] Just those subtitles.
[00:20:35] Yeah.
[00:20:36] Let's take a quick break.
[00:20:37] We'll come back.
[00:20:38] We'll break this movie down.
[00:20:39] Four segments here on deck the home mark.
[00:20:40] Yeah.
[00:20:41] Let's see what we're doing now.
[00:20:42] This is it.
[00:20:43] You know, last time we did an ad for NutriFull here on deck the home market
[00:20:49] was told by Brian Harold third hand about me.
[00:20:52] Not my story at home.
[00:20:53] Here, I need to say one thing.
[00:20:55] He got most of it right.
[00:20:57] About how NutriFull is.
[00:20:59] You know, a lot of the suffer from hair.
[00:21:01] Yeah.
[00:21:02] And NutriFull is an all natural dermatologist recommended pharmaceutical.
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[00:21:28] And their hairline stay the same.
[00:21:30] This is a great product.
[00:21:32] My barber noticed new growth patterns in my hair.
[00:21:35] And I've only been taking it for about three months.
[00:21:37] NutriFull can help you.
[00:21:39] You should give it a shot.
[00:21:40] It's a much better, more holistic way to give your hair what it needs.
[00:21:46] The nutrients that it needs.
[00:21:47] And I think we got a little bit of discount.
[00:21:48] Oh, we do, Dan.
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[00:22:30] I get it, you want to take a half day, but why not just do the first half with us for the priority and then leave?
[00:22:41] I want to experience a little bit of everything.
[00:22:43] Okay.
[00:22:44] So little bit so yeah, but you don't get that wrong.
[00:22:47] You start to sit here during it.
[00:22:49] Yeah, but I'm in my thoughts the other part of the car.
[00:22:51] Yeah, it's mostly just for mental break.
[00:22:54] Well, I think you were actually telling me that you were thinking about all the possible things you could watch on final later.
[00:23:00] Which was yeah, yeah, yeah, the cooking show, the basketball cooking show.
[00:23:06] 75 other ish shows, channels.
[00:23:11] Yeah, the Escape to the Mountain show down the swamp show.
[00:23:16] Oh, these sounds like all things you talked about on the.
[00:23:19] The.
[00:23:20] The.
[00:23:21] These are not.
[00:23:22] We're in any of these shows.
[00:23:23] You look up down in the swamp show.
[00:23:25] You may get there.
[00:23:26] I think you might find the final search tab is pretty pretty darn good.
[00:23:30] Pretty darn good.
[00:23:31] You can figure it out.
[00:23:32] File TV slash DTH.
[00:23:34] You can watch Filer Deep dive here about all these shows that Brian's talking about and he could watch us do this show in case we're listening while you're driving on the road
[00:23:40] or anything.
[00:23:41] This looks fun.
[00:23:42] I mean, it sounds fun.
[00:23:43] Is it is?
[00:23:44] It does it look as good as it sounds.
[00:23:46] Does it look as fun as it sounds?
[00:23:48] Hes.
[00:23:50] It's time for the hot tech.
[00:23:56] It is where you share exactly how we felt about this movie.
[00:23:59] We do not hold back and I'm going to start with you Brian.
[00:24:01] I don't think you can take this segment right now.
[00:24:03] I need to participate the entire time right.
[00:24:05] Full participation.
[00:24:06] What did you think about the newest.
[00:24:08] The latest.
[00:24:09] The hallmark mystery from the new network.
[00:24:12] Brand new hallmark mystery.
[00:24:13] Of course, that we are.
[00:24:14] What do you think about it?
[00:24:15] Yeah.
[00:24:16] I thought this was.
[00:24:17] It had a lot more action than I was expecting.
[00:24:19] It was kind of exciting.
[00:24:21] The jumping through the glass, the gunshots.
[00:24:23] That stuff threw me off.
[00:24:25] I was not expecting that.
[00:24:26] So I didn't see the killer coming.
[00:24:29] I didn't see that mystery that was a mystery to me throughout.
[00:24:32] I guess two different people.
[00:24:34] I was wrong on both accounts.
[00:24:36] Never guessed this killer.
[00:24:37] So in that sense, it wins.
[00:24:40] I guess so.
[00:24:41] Mysteries two me zero in the last two weeks.
[00:24:43] Mysteries two you zero.
[00:24:45] They sort of trick you a little bit.
[00:24:48] Not me not knowing a lot about France and the legal system.
[00:24:52] No, like do you need a lawyer in France?
[00:24:55] I don't know.
[00:24:56] It doesn't look like you need a lawyer in France but I don't know if that's true or not.
[00:24:59] Do you need an interrogation room in France?
[00:25:01] It doesn't look like it.
[00:25:03] It does not look like it.
[00:25:04] I don't think you need that.
[00:25:05] Do you need jail cells in France?
[00:25:06] I don't think you do.
[00:25:07] So that's a little different.
[00:25:08] Do you need surveillance over the whole community?
[00:25:11] So you can capture everything that everybody does on video.
[00:25:13] I don't think you need that in France because they don't have anything like that.
[00:25:16] So they tricked me a little bit in that sense where I just don't...
[00:25:20] I just have to take them for their word.
[00:25:21] They don't need lawyers or interrogation rooms.
[00:25:24] So pretty interesting mystery.
[00:25:28] I would say I keep going and I've done that.
[00:25:31] Yeah.
[00:25:32] I had a fun time.
[00:25:34] It was tough to understand everything.
[00:25:36] Like we joke about a little bit.
[00:25:38] Like we complain when they're in another country and it's all just plain English.
[00:25:42] And when they do make an effort to have local people who speak French
[00:25:46] and who are speaking English for our sake, it's difficult as well.
[00:25:50] So it's like what can you do?
[00:25:52] They did...
[00:25:53] They put on a really good effort in this though.
[00:25:55] They were over there.
[00:25:56] They're really trying to put on a good mystery.
[00:25:59] Yes, I thought it was pretty well done.
[00:26:01] Pretty good time.
[00:26:02] I agree with you Brian.
[00:26:03] I thought that this was a solid outing.
[00:26:06] I thought all of the performances in this movie were very stellar.
[00:26:10] A lot of really great performances.
[00:26:13] Even a small thing like Brooke having a tear come down her eye as a gun is pointed at her.
[00:26:22] Because I thought about it and I'm like you would absolutely start to cry if someone was pointing a gun at your face.
[00:26:28] And that never happens in these movies.
[00:26:31] So oftentimes there's a gun whipped out and you're like hey man don't do it, don't do it.
[00:26:35] Nah man if there's a gun in your face you're gonna tear up some.
[00:26:39] And so like that performance was really believable.
[00:26:42] I thought Andre and her had a solid chemistry for what I could understand of what he was saying.
[00:26:47] But yeah the biggest complaint is I'm no linguistic expert.
[00:26:52] I am not a...
[00:26:53] I'm not...
[00:26:54] I'm not a strong man.
[00:26:56] I'm not a strong man buddy.
[00:26:58] I've been here to support you.
[00:27:00] I've been too busy throughout my life dip in...
[00:27:03] Yeah.
[00:27:04] ...dipping in bread balls in chocolate milk to learn English well.
[00:27:08] And so when we start getting...
[00:27:11] You mean learning was good.
[00:27:13] When we start getting those thick accents it's nice because it's believable.
[00:27:19] Yeah.
[00:27:20] But it's also like hey I'm gonna be watching this movie with the closed captions.
[00:27:27] Which is fine, you know.
[00:27:30] It was obviously believable.
[00:27:32] They clearly did it there.
[00:27:33] They clearly got actors from France and so that's great.
[00:27:39] But yeah, and...
[00:27:41] Yeah the person who did it I didn't see that one coming.
[00:27:45] I don't know why.
[00:27:46] Yeah.
[00:27:47] I just didn't see Virgil St. James as being the killer but I actually thought that the story that they told made sense and was believable.
[00:27:55] So overall I thought it was a solid mystery.
[00:27:58] I would say if we do another one of these just help us out a little bit.
[00:28:01] Yeah.
[00:28:02] Help us help us...
[00:28:03] Help us slow guys out a little bit.
[00:28:04] But aside from that really solid work, Dan?
[00:28:06] Because the mysteries tend to follow even more of a formula than home art movies I tend to like look at these and go...
[00:28:13] Does it distinguish itself?
[00:28:15] Was the mystery interesting or hard to solve and what I want another one?
[00:28:18] Those are the three questions that I ask.
[00:28:20] This movie does distinguish itself because it is as French a movie as you could possibly air on home art...
[00:28:26] The Home Art Mystery Channel here in America.
[00:28:29] Like these people are not Quebec, French.
[00:28:33] They are like from Paris, French, and sometimes that means they're hard to understand.
[00:28:38] But it does feel like you're in France solving a mystery.
[00:28:42] I also did not see this murder coming and not only did I not see the murder coming but it's there for you to solve.
[00:28:49] So it's not a situation where they just bring in somebody like surprise.
[00:28:53] This doesn't make sense because we've not told you the information you need.
[00:28:56] This is a killer who's on screen a lot, who you could put the pieces together as to why they would be motivated to murder these folks.
[00:29:06] They give themselves up a bit easy, neither here nor there.
[00:29:09] The only thing I will say is that I don't really need another one of these.
[00:29:12] Nothing about this movie was like, I'd like to see more of these.
[00:29:16] I thought Brooke was great.
[00:29:19] She gets to do some things that I think they've not letting her do for years on Home Art Channel.
[00:29:24] The crying especially, the way she does that.
[00:29:27] She's amazing in this movie.
[00:29:29] The two leads aren't like the chemistry there and what they could do in future movies does not interest me.
[00:29:36] I got a little bog down when they were trying to make that stuff work.
[00:29:39] But the mystery itself and the distinction of it being Paris does work so better than an average mystery,
[00:29:45] not as good as the deloge airs kids solving the case one to me though.
[00:29:50] So not the best one of them here but better than average.
[00:29:53] Let's get to the feels. What game is feels in this movie?
[00:29:59] Yeah, respects feels for Brooke.
[00:30:02] The rat scene.
[00:30:05] I thought it was a rat that poked a crawled under shoulder and I'm like, oh that's cool.
[00:30:09] And then it just kept going.
[00:30:11] I mean dude, all over.
[00:30:13] To show you how much of a pro Brooke Dorset is they make it so where you can see it is not a stunt double.
[00:30:19] Yeah.
[00:30:20] There is and it is not digital.
[00:30:22] There are rats plural crawling over her head and around her neck.
[00:30:27] It is like, I don't know of how many hallmark actors that would be willing to do that scene.
[00:30:33] Yeah, like really in it.
[00:30:35] I mean, it's great.
[00:30:36] Yeah, it's impressive and I'm glad that she gets the credit there because they don't,
[00:30:40] the camera doesn't turn away from it.
[00:30:42] Yeah, yeah, yeah, it was impressive.
[00:30:44] Oh, good mind too.
[00:30:45] Oh, really?
[00:30:46] Yeah, look at us.
[00:30:47] Rat bros.
[00:30:48] I obviously got like, oh, cool.
[00:30:51] Wow feels when it was revealed that Virgian St. James was the murderer.
[00:30:55] But also like, oh, whoa.
[00:30:58] When she found that door that says danger on it, she opens it in a stairs.
[00:31:02] Yeah, that was a stairs.
[00:31:03] And like, should the police have found it when they started to play something that they should have?
[00:31:07] Absolutely, they should have.
[00:31:08] But like kind of cool and like makes like the hey we have this place.
[00:31:13] Imagine being someone who's encounter fitting and finding a warehouse that has like this,
[00:31:18] well could we could make it into a trap door that has an underground.
[00:31:21] But it's also something the home art mystery movies typically don't do well.
[00:31:25] It's like that twist is hiding in plain sight.
[00:31:28] Right, you should, the first time we watch that scene we should be thinking why isn't she even thinking maybe I should open this door that's clearly marked to not open?
[00:31:36] But we didn't think it, she didn't think it.
[00:31:38] That means it's a really good twist.
[00:31:40] If it's there in front of you and you don't think about it, that's really, really good.
[00:31:43] Let's say a quick break.
[00:31:44] We'll come back and we'll get to the way what and what the homework here on.
[00:31:47] Take the homework back, baby.
[00:31:57] I did get word from Harry that your half day was approved though and there's no takesy backs.
[00:32:03] Oh man.
[00:32:04] He chose real weird about approving days off.
[00:32:06] It sometimes takes thing forever.
[00:32:09] Yeah, sometimes until the day of man, what a waste.
[00:32:13] Next time I'm just going to ask.
[00:32:15] Oh, well that one's a lot more you want like that.
[00:32:19] Let's get to the way what is what we're talking about what in this room is go what?
[00:32:22] What?
[00:32:23] Yeah, Charlotte when she was standing over the body,
[00:32:26] like I feel like she got up there really fast because I feel like she was just sitting down watching the stage like moments ago.
[00:32:34] So like when she was up there, I was literally like what?
[00:32:37] Like how did she get up there so fast?
[00:32:39] Maybe not think about that, but I do think now that you are right.
[00:32:43] That is does seem like she was lightning quick.
[00:32:46] Yeah.
[00:32:47] Exactly how to get there and was just so far ahead of everyone else.
[00:32:50] Yes.
[00:32:51] It did not it's the timing there did not compute for me because she was just they were just sitting very comfortably like in their seats way back in the stage
[00:32:59] and then all of a sudden so that was just like maybe they skipped ahead during editing some stuff got cut out.
[00:33:05] Heat when the boss when they get to the empty warehouse and the chief is like you're going to write a full report before you leave today.
[00:33:12] Right after that she's like so what should we do?
[00:33:14] And he's like oh let's go eat like dude you have a full report to work like you have a lot of work to do
[00:33:20] and he's just flirty flirty fun times let's go get some hot dog.
[00:33:23] Flirty fun time yeah just no urgency there.
[00:33:26] And I would be the same way though.
[00:33:28] Yeah, but first we get like I'll knock that out for you guys.
[00:33:31] Let's go get some lunch.
[00:33:33] That's exactly their reports probably are pretty sparse.
[00:33:35] Yeah, yeah, those like well we will understand.
[00:33:38] Yeah, just magic.
[00:33:40] Chris on time.
[00:33:42] They probably have a stamp that says Chris on time and they just hit the paper.
[00:33:47] In our world, French detectives take an hour out of their day for ACS to the day call Chris on time.
[00:33:54] And I'm sorry.
[00:33:56] It goes into the report.
[00:33:57] Yeah, I'm sorry.
[00:33:58] It's been listening but to us, Chris on time is real.
[00:34:00] Yeah, I think that they would they're not going to be a friend of that.
[00:34:03] Okay, can you let us know when you get back?
[00:34:05] I will.
[00:34:06] I will.
[00:34:07] If you notice any Chris on time.
[00:34:08] I'll ask some British people about Chris on time.
[00:34:09] Yeah, they would know better than they would know they're close.
[00:34:11] You're over there.
[00:34:12] Not somebody wise.
[00:34:13] Now, dole say when they show up for that lease gotcha where he's like I got your signature on the lease.
[00:34:18] Like dolce is like that's not mine.
[00:34:20] I deny all of it.
[00:34:21] I kind of wish that instead of them doing it that way where dolce is like that's not my signature wrong.
[00:34:28] Like it's a forgery.
[00:34:29] I wish the detective who grew up in a family of forgers figured it out.
[00:34:33] Like, I don't feel like he did a lot of solving anything.
[00:34:36] Like everything was presented to them.
[00:34:38] He did barely anywhere.
[00:34:39] Harvey, the gun that he's from a family of forgers.
[00:34:42] Yes, at some point you think he's going to use that ability.
[00:34:45] Yes.
[00:34:46] And he just refuses nothing and even died.
[00:34:48] I wash it with my wife.
[00:34:49] She's like so he's involved, right?
[00:34:51] Because it's a four and I'm like that would be a great twist.
[00:34:53] Great twist.
[00:34:54] But no, he didn't use any of his forgery skills.
[00:34:57] He does hit the forger with a car though.
[00:34:59] And I think that's he forged forward with his car.
[00:35:02] That's what he meant.
[00:35:04] That's what he meant.
[00:35:05] That's what he meant.
[00:35:06] Is that it?
[00:35:07] I'm afraid it is.
[00:35:09] Nice, dude.
[00:35:10] Call back for literally four other people.
[00:35:12] Like a week's a business meeting.
[00:35:15] Here's a few that I have one is when she has a great first session with Virgil.
[00:35:21] It goes very well.
[00:35:22] Yeah, I found what she did there to be relatively believable.
[00:35:25] It's not from the fact that you're just standing up.
[00:35:27] But whatever.
[00:35:28] Before the actual he should have been laying down or sitting or she does walk some.
[00:35:33] She's like now it's the time.
[00:35:35] What's the worst that could it?
[00:35:37] It was a very relaxed therapy session.
[00:35:42] But what she does right before the fashion show is he's like kind of getting a little bit nervous and she just goes look at my finger.
[00:35:50] Look at my finger.
[00:35:51] Look at my finger.
[00:35:52] Is that a psychology trick?
[00:35:55] We should focus on something small.
[00:35:57] Look at my finger to calm your mind for things that are bigger is probably.
[00:36:02] Look at my finger sounds like something you do to like I thought she was doing it.
[00:36:06] Pull my finger.
[00:36:07] Don't do it.
[00:36:08] Don't do it.
[00:36:09] Don't do it.
[00:36:10] Do it to hiccups and so I make up a trick every time and the trick is just getting into think about something else.
[00:36:14] But I'll just be like, Dad, I have the hiccups.
[00:36:16] I don't want them anymore.
[00:36:17] I'm like, so you need to hold your right hand in the air and your left hand needs to pat your leg.
[00:36:21] But you got to go really fast.
[00:36:23] Super fast.
[00:36:24] You just get them concentrated on something else and then he forgets about the hiccups.
[00:36:27] There is.
[00:36:28] There is.
[00:36:29] That's the trick.
[00:36:30] I did the scare.
[00:36:31] I put on a really scary mask.
[00:36:33] Oh boy.
[00:36:34] How'd that go?
[00:36:35] Oh yeah, it was awesome.
[00:36:36] I'm scared of scary masks.
[00:36:37] I don't have.
[00:36:38] Oh, you just looked down on funny.
[00:36:40] Ah, ah, ah, ah, ah, ah.
[00:36:42] It's your face.
[00:36:43] It's your face.
[00:36:44] You got that scream clip?
[00:36:45] Oh yeah, we got a live look in.
[00:36:50] Aaron, thank you.
[00:36:52] It is really good.
[00:36:54] It is really good.
[00:36:55] Very clip.
[00:36:56] She goes to talk to this model that, listen, I know, you know, in the day and age of influencers,
[00:37:04] we would know this better than anybody.
[00:37:06] But you need a good ring light.
[00:37:07] You need a good ring light.
[00:37:08] And you got to make sure you're lit at all times.
[00:37:11] I don't know how.
[00:37:12] That's brand personal.
[00:37:13] You need the line.
[00:37:14] We had been trying to get them off the saw straight years ago.
[00:37:18] Yeah, one hundred percent.
[00:37:19] The brands like you need to be lit all the time.
[00:37:21] I don't know how.
[00:37:22] You need to be in the ring light.
[00:37:23] I don't know how important it is though to bring your ring light to the middle of the street.
[00:37:27] Which is what she does.
[00:37:28] Lee Udo, there's a bigger cut here of you need to be lit all the time.
[00:37:33] I don't sleep on queens like all those things together.
[00:37:35] I think you can do it.
[00:37:36] Yeah, yeah.
[00:37:37] Yes.
[00:37:38] Middle of the late ring.
[00:37:39] Street ring.
[00:37:40] I was all trying to say.
[00:37:41] The lit ring.
[00:37:42] Two, three.
[00:37:43] Pretty, pretty convenient for her to sneak into the dead woman's house.
[00:37:49] And the first picture frame she looks behind has the USB on it.
[00:37:54] Yeah.
[00:37:55] You got a level that happens.
[00:37:57] The beginning of this movie is a lie.
[00:38:00] Yeah.
[00:38:01] Right.
[00:38:02] We, we, at the beginning of this movie, we are forced to believe that there is a gun shot
[00:38:08] as he points to gun right at her turns out he gets hit by a car before that can happen just
[00:38:14] a downright lie.
[00:38:15] And my final one I had as it was revealed that Virgil St. James is the murderer is, you
[00:38:25] remember earlier in the movie where Charlotte was telling the story of how she saw somebody
[00:38:30] come down the stairs before she went up and that could be the murderer.
[00:38:36] She wouldn't have recognized Virgil St. James, even if he's wearing something like it.
[00:38:43] That's Virgil, like you maybe that wasn't the murderer.
[00:38:45] Maybe it was.
[00:38:46] Yeah.
[00:38:47] It could have been but it wasn't.
[00:38:48] They do this.
[00:38:49] Yeah, could have been.
[00:38:50] Could have been.
[00:38:51] I was like, she like works side by side with Virgil St. James even if Virgil St. James has
[00:38:58] something over his face.
[00:39:00] You would, you would know right?
[00:39:02] You would know that at yeah, it'd be like me coming into work Dan walking out of the office
[00:39:09] with a mask over my head and being like, I don't who could that be?
[00:39:13] Who could that be?
[00:39:14] It's not anybody.
[00:39:15] Could have been anyone.
[00:39:16] Dan.
[00:39:17] So in hallmark mysteries, a lot of times the killer gives himself up in my opinion way
[00:39:22] too quickly.
[00:39:23] Not that I've ever murdered anyone but Virg not that I've ever.
[00:39:27] But if you have Virgil St. James takes the cake.
[00:39:31] Look, you've murdered two people.
[00:39:35] There are so many reasons that you could be at that warehouse and that your brooch was there.
[00:39:43] You wouldn't at least like, he always used walk downstairs and go, oh my gosh, what is this?
[00:39:48] Yeah.
[00:39:49] That's all he has to do and brooks going to be like, what are you doing here?
[00:39:52] He's like, I couldn't sleep.
[00:39:53] I came back to this warehouse.
[00:39:55] They're making, they're making, you know, forgeries of my bag.
[00:39:58] Somebody took my brooch.
[00:39:59] It would be very easy but he sees her down there and he's like, guess I got to pull up my
[00:40:04] gun.
[00:40:05] Like, what?
[00:40:06] Why not?
[00:40:07] Why are you doing that?
[00:40:09] There are so many good reasons for the killer to be there and not immediately confess like he's caught when he isn't caught yet.
[00:40:16] So that was a pretty big one for me.
[00:40:18] There's a lot of times they try to inject humor in this movie and they are almost always poorly done.
[00:40:27] And it's not because the actors aren't capable, it's because the music is playing very murdery vibes.
[00:40:33] Someone has just been murdered and then they're doing a bit about how brook can't pronounce this guy's last name.
[00:40:38] Even though the name is the easiest name in the movie.
[00:40:41] So that was a little weird.
[00:40:44] When brook is working at this, Virgil St. James's place, they give her a tiny desk to work at.
[00:40:50] She is sitting at a desk where everyone that walks by, she's below their waist.
[00:40:55] All of them.
[00:40:56] Someone drops off papers and it is like Gulliver's Travels.
[00:40:59] Like she is very, very low and everyone else is very, very high.
[00:41:04] Could have fixed that.
[00:41:06] When she gets to Paris, this person is like all you ever wear is beige and black.
[00:41:12] This is Paris, you need to really mix up your wardrobe.
[00:41:16] And brook does that by wearing one other color the rest of the movie and it is red.
[00:41:20] She wears shades of red and beige and black.
[00:41:23] Literally she adds one color.
[00:41:25] She doesn't do any, there's no, I assume if you point out her fashion, they're going to make her dress in all kinds of different colors.
[00:41:34] It's all red all the time, the rest of the movie.
[00:41:36] That is how you know it's not beige or black because it is red.
[00:41:39] And then lastly Virgil St. James wears a pair of gloves in this movie and I don't know what fat, I don't know anything about fashion
[00:41:44] or wear the same shirt every day.
[00:41:46] One hand of these gloves has holes for the fingertips.
[00:41:50] The other hand does not.
[00:41:52] I can't imagine wearing that pair of gloves or that being fashionable.
[00:41:56] I can't.
[00:41:57] It's a shooting hand.
[00:41:58] It's one two minute cover.
[00:41:59] It's a shooting hand.
[00:42:00] Exactly.
[00:42:01] He wants to make sure his finger prints get on that gun.
[00:42:02] That's right.
[00:42:03] That's exactly right.
[00:42:04] We have one more second.
[00:42:06] We just called him.
[00:42:07] We have not done it.
[00:42:09] I have not put in a half day.
[00:42:11] No.
[00:42:12] I'm doing the full show.
[00:42:14] I'm doing the full show here.
[00:42:15] But I'll push the rope.
[00:42:16] I'll push the rope.
[00:42:17] Yeah.
[00:42:18] So you don't want to take any more time.
[00:42:19] No, I don't.
[00:42:20] You're going to save that.
[00:42:21] I'll cruise that.
[00:42:22] It's time for what the homework is where we would or could have been maybe having.
[00:42:24] It's been clearing any questions that we still have.
[00:42:27] Brian, I know you're wondering a lot of things.
[00:42:29] Try to narrow it down for us.
[00:42:30] Okay.
[00:42:31] The thing is, I can't get off my mind when the E-Clear cream shot out.
[00:42:36] E-Clear?
[00:42:37] E-Clear.
[00:42:38] It's an E-Clear.
[00:42:39] It's an E-Clear.
[00:42:40] It's an E-Clear.
[00:42:41] I just been shot with an E-Clear.
[00:42:42] Where did they get the E-Clear cream cannon?
[00:42:46] Clear.
[00:42:47] Clear.
[00:42:48] And how much should it cost?
[00:42:49] Just asking for a friend.
[00:42:50] He's not a clear, you found him lying.
[00:42:53] E-Clear.
[00:42:54] The amount of cream that was shot out of that E-Clear.
[00:42:58] So much.
[00:42:59] It was fully loaded.
[00:43:00] It was fully loaded.
[00:43:01] Yeah.
[00:43:02] Like, can I get an E-Clear fully loaded?
[00:43:03] I need fully loaded clear live.
[00:43:04] They were unbelievable.
[00:43:05] Yeah, I've heard that about them.
[00:43:08] Yeah.
[00:43:09] I mean, mine is as much as I talked about how it was, you know, she opens the door and
[00:43:15] I'm like, oh wow.
[00:43:18] I don't know.
[00:43:19] I don't believe that all of the forgery stuff could fit in how big is the room?
[00:43:26] Yeah.
[00:43:27] I'm saying it's full.
[00:43:28] It went another floor down, but it looked like all the way underneath this warehouse.
[00:43:34] Is it just one room?
[00:43:36] Because there was a lot of forgery stuff in the room that we see as far as I can tell wasn't
[00:43:43] crazy big.
[00:43:44] No.
[00:43:45] But you know, and it was like stacked to the brim with boxes.
[00:43:48] It would not have been able to hold 20% of what was in that.
[00:43:52] It was a full warehouse full of the only way that it would work is if it also has
[00:43:57] a basement of the same square footage, like that's, you know, a mirror.
[00:44:02] But I don't know.
[00:44:03] What I saw, I was unsure of how big is this underground bunker?
[00:44:07] I love it.
[00:44:08] Danna?
[00:44:09] Mine's also food related.
[00:44:10] And this is about the E-Clair.
[00:44:11] It's not about the E-Clair.
[00:44:12] Maybe this could be answered by someone that's been to Paris.
[00:44:18] Do they have hot dog street vendors in Paris?
[00:44:22] Hot dog street vendors in Paris.
[00:44:25] You're walking across the street of the most famous food town in the world.
[00:44:28] And there's somebody selling dogs.
[00:44:30] Hey, listen, it happens in New York.
[00:44:32] New York is known for food.
[00:44:34] For their hot dogs.
[00:44:35] True.
[00:44:36] Like I can imagine having in London.
[00:44:38] London?
[00:44:39] In Paris.
[00:44:41] Or their hot dog street vendors because they imply heavily that there are.
[00:44:46] Aaron?
[00:44:47] Hi, Aaron.
[00:44:48] I don't remember a single hot dog street vendor.
[00:44:53] Yeah, about the croissants though.
[00:44:54] Is there a croissants out there?
[00:44:55] Everywhere.
[00:44:56] Croissants out there?
[00:44:57] The whole country shuts down.
[00:44:58] Okay.
[00:44:59] To think that you, I knew it.
[00:45:00] Thank you, I knew it makes sense.
[00:45:01] But I just can't imagine Paris and the highfalutin nature of Paris having hot dog cars just
[00:45:08] like on the street corner.
[00:45:09] Well, that neighborhood where their warehouse was pretty shady.
[00:45:12] So maybe that's the area town where you find the hot dog.
[00:45:15] It was just like he was just like you're eating a hot dog.
[00:45:17] We would never do that in Paris.
[00:45:18] Or you think she got it slick?
[00:45:20] It was clearly from a vendor street hot dog vendor.
[00:45:25] So there you go, that's all I got.
[00:45:27] We did have a recommendation.
[00:45:28] We'll be back tomorrow with another one.
[00:45:30] We're really looking forward to that until then.
[00:45:34] Until then, man.
[00:45:35] We were the first to wish you a million.
[00:45:37] Merry Christmas.
[00:45:38] The Brable Jam podcast is produced by Aaron Shay.
[00:45:41] For more information on deckthohomer you can go to deckthohomer.com
[00:45:45] For more information on the deckthohomer.com, deckthohomer is presented by Philo TV for a free trial of Philo go to Philo.tv slash DTH.
[00:46:00] You're about to hear some ads that help you to the lights on here in the old studio.
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[00:46:08] It's really up to you at this point.
[00:46:10] It's at the end of the show.
[00:46:12] You're listening to me.
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[00:46:16] Yep, here they are.
[00:46:18] Happy day.
[00:46:42] You
[00:47:12] You