When an antiques expert takes on a quest to find a long-lost locket that promises to bring the wearer true love, she finds herself in conflict with, but also attracted to, the town sheriff.
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[00:00:00] Hi, I'm Brandon. I love
[00:00:04] Hallmark Spring Movies.
[00:00:07] I'm Brian. I like Hallmark Spring Movies.
[00:00:09] I'm Dan and I despise Hallmark Spring Movies.
[00:00:12] And this is the Deck The Hallmark Podcast.
[00:00:15] Deck The Hallmark. It's this podcast.
[00:00:18] Ba-la-la-la-la-la-la-la.
[00:00:20] With an infant host is podcast.
[00:00:23] Ba-la-la-la-la-la-la-la.
[00:00:25] We hope you like this jolly podcast.
[00:00:28] Ba-la-la-la-la-la-la-la.
[00:00:31] We're really listened into the theme song in a while.
[00:00:35] Still gonna listen. Still flaps.
[00:00:37] Time for a refresh. The gang vocals, really tight.
[00:00:40] Yeah, really tight.
[00:00:42] Hello everybody. Happy Tuesday to you.
[00:00:45] Hopefully everybody survived.
[00:00:47] Tax day? We didn't. Hopefully everybody had a good
[00:00:50] Patriots Day. We took an absolute beating here.
[00:00:53] Hopefully everybody, we don't need to get into it.
[00:00:56] Hopefully everybody had a good Patriots Day.
[00:00:58] Brian, Aaron, looking at you both.
[00:01:00] Happy Patriots Day yesterday.
[00:01:02] A day that before you guys moved here we definitely knew about.
[00:01:05] Yeah, obviously. For sure.
[00:01:07] That's every day down here in the South, amen.
[00:01:09] It only took me one year to forget about it.
[00:01:11] Do you think it's a coincidence?
[00:01:13] That this movie that takes place just out of
[00:01:15] side of Boston aired the weekend of Patriots Day.
[00:01:18] No, not at all. Definitely. They're definitely in Boston.
[00:01:21] They're definitely in Boston in this movie.
[00:01:23] I was not at all upset about the lack of Boston.
[00:01:26] Yeah, that's true.
[00:01:29] You're done though, Brian.
[00:01:31] Aaron still misses things about doing.
[00:01:34] Where are you at?
[00:01:36] I'm more than 50% out of there, I think.
[00:01:38] I think I got a shoelace hanging up there.
[00:01:41] There's food I miss that I enjoy.
[00:01:43] Everything else can kick rocks.
[00:01:46] The Fingway Crane is such a big part of Boston.
[00:01:49] I don't know. The Swamp Rabbit hot dog down here
[00:01:52] at Bonsecourt Arena. The hot dog there, pretty good.
[00:01:55] So, if that's what you think, take it or leave it actually.
[00:01:58] Swamp Rabbit.
[00:02:00] Whatever its place.
[00:02:02] We're jumping straight ahead. I don't know what that is called.
[00:02:04] There's a bunch of dogs at Bonsecourt Arena.
[00:02:06] Yes, there are. But Fingway Frank is not famous.
[00:02:09] It's famous because it's called Fingway Frank.
[00:02:11] You don't go to Boston for its legendary hot dog experience.
[00:02:15] No. And you can buy those actually almost anywhere.
[00:02:18] Yes.
[00:02:20] Yeah, it's just ballpark hot dog. It's all it is.
[00:02:23] Yeah.
[00:02:25] The weather is, I can't say enough about how ridiculous it is
[00:02:28] people still live up there after being out here.
[00:02:30] It's snowing up in Boston. It's 80 here.
[00:02:33] It's ridiculous. It's a joke that people still put up with that.
[00:02:36] We're having a good time down here.
[00:02:38] We're trying to say.
[00:02:40] Guys, if you're watching us on FilaTV.com.
[00:02:43] You can tell that we're all wearing a black shirt
[00:02:45] and I don't want to say that that is anything
[00:02:49] away about our thoughts in the movie or anything like that.
[00:02:53] We didn't coordinate.
[00:02:55] We didn't coordinate at all.
[00:02:57] I did get a haircut though for the folks watching as well.
[00:03:00] Yeah, they appreciate that.
[00:03:02] For those watching, I think they know.
[00:03:05] For those listening.
[00:03:07] Nice line.
[00:03:09] You go with one to three.
[00:03:11] I just let Aaron cook.
[00:03:13] He's the artist. I'm the canvas.
[00:03:16] I think you would have got it.
[00:03:18] I would have got it.
[00:03:20] I was going to say art.
[00:03:22] Art.
[00:03:24] Art.
[00:03:26] He's the artist.
[00:03:28] I'm the RT.
[00:03:30] The letters guys, have you ever lost anything
[00:03:33] and had a situation like this?
[00:03:35] No, no.
[00:03:37] Well, this, this is hundreds of years old.
[00:03:39] This is not you talking about the lock.
[00:03:41] Yeah, would be me losing it.
[00:03:43] Right.
[00:03:45] This ever happened.
[00:03:47] Have you ever been on a little bit of a quest?
[00:03:49] I'm currently looking for a Babe Ruth card that I had growing up
[00:03:51] and my parents are moving up to Greenville
[00:03:54] and they're cleaning out their house.
[00:03:56] And I have 10,000 baseball cards down there
[00:03:58] and they kept all of them.
[00:04:00] So I don't, they didn't throw it out,
[00:04:02] but my prize possession was a Babe Ruth card.
[00:04:04] Your brother stole it for sure.
[00:04:06] Back in the day, like in the 90s worth hundreds of dollars,
[00:04:09] probably now worth thousands of dollars.
[00:04:11] I can't find it.
[00:04:13] I don't find it selling their house downsizing.
[00:04:15] They're, they're moving up.
[00:04:17] Is it a down size?
[00:04:19] It is less, it's less space up here
[00:04:21] than it is down there.
[00:04:23] I mean, their house up there, pretty good size.
[00:04:25] Down there? Up there. Up there. Yeah.
[00:04:27] Yeah. Yeah. Yeah. Yeah.
[00:04:29] I'm just saying it's a pretty, it's a pretty big house.
[00:04:31] Yes. It's a lot.
[00:04:33] He talked a lot about my father's house.
[00:04:35] Yeah. There was a big yard.
[00:04:37] It took me a while.
[00:04:39] It took me a little bit of fear.
[00:04:41] I was trying to get me a lot of one way here at all.
[00:04:44] I mean, I looked at you and I said,
[00:04:46] they downsizing?
[00:04:48] Okay. I thought that was enough.
[00:04:50] Yes. No, I disagree.
[00:04:52] If you were a real friend, you would have gotten it.
[00:04:54] You would have gotten it.
[00:04:55] You know what we do here?
[00:04:57] Let's talk Legend of the Lost.
[00:04:59] I can't wait for this in offices because it is an intricate,
[00:05:02] there's a lot happening here.
[00:05:04] It's an intricate mystery.
[00:05:06] We all watch this separately.
[00:05:08] I did not watch this with you.
[00:05:10] I've weird schedule for me this week.
[00:05:12] So I watched it at home.
[00:05:14] Yeah. A lot happening.
[00:05:15] A lot of happening here, a lot of different strings to pull.
[00:05:17] So I'm excited about your synopsis to see if you got it all straight.
[00:05:20] Let's see.
[00:05:22] Legend of the Lost.
[00:05:24] I wrote down pocket.
[00:05:26] Where'd my pocket watch?
[00:05:28] Someone took it.
[00:05:30] Small box.
[00:05:32] April 13th, 2024 is when it originated.
[00:05:34] It went a little something like this.
[00:05:36] The movie kicks off and I am immediately concerned that
[00:05:38] we are back in Jane Austen month.
[00:05:40] And I begin to twitch.
[00:05:42] I am, as the kids say, triggered and not enjoying myself.
[00:05:45] This woman gives this dude a lock-in.
[00:05:48] It's not lost yet.
[00:05:50] It's just a lock-in.
[00:05:52] He's like, I can't take this.
[00:05:54] So what she does is she snaps it in half,
[00:05:56] gives him a piece, gives her, keeps one,
[00:05:58] and is like, when we get back together one day,
[00:06:00] this will, you know,
[00:06:02] cut the project off.
[00:06:04] I'm going to go ahead and do it.
[00:06:06] It'll, you know, cut the present day.
[00:06:08] We'll get back together perfectly.
[00:06:10] Cut the present day. We meet Amelia.
[00:06:12] She is a British antique dealer
[00:06:14] with one
[00:06:16] specific
[00:06:18] historical
[00:06:20] trinket
[00:06:22] on her to find list.
[00:06:24] It's the Lost Locket.
[00:06:26] Lost half of the lock because she has half of it.
[00:06:28] But the Lost Locket
[00:06:30] of Queen Elizabeth
[00:06:32] Uno.
[00:06:34] They call her Uno.
[00:06:36] They call her Lizzie Uno.
[00:06:38] And so,
[00:06:40] she gets a lead
[00:06:42] that the other half may be in a
[00:06:44] What comes after Uno?
[00:06:46] Dose.
[00:06:48] That's 33 in Spanish.
[00:06:50] She gets a lead
[00:06:52] that the other half may be in a town outside of Boston.
[00:06:54] So she hops on a plane to
[00:06:56] LAX Boston
[00:06:58] and to get there.
[00:07:00] Train.eTrace
[00:07:02] DSE dose?
[00:07:04] She gives it.
[00:07:06] DSE dose is doce.
[00:07:08] DSE dose 12.
[00:07:10] 10 and 2.
[00:07:12] Vente Edoze, 20.
[00:07:14] I asked you what 33 was in Spanish.
[00:07:16] You promptly ignored me.
[00:07:18] I assume that was for the room.
[00:07:20] What's
[00:07:22] 80, 83?
[00:07:24] Ocho e Trace
[00:07:26] Ochenta
[00:07:28] Close.
[00:07:30] I'm here.
[00:07:32] She reluctantly,
[00:07:34] she runs into some car issues
[00:07:36] and so she reluctantly catches a ride with a dude
[00:07:38] named Marcus
[00:07:40] that she meets outside on the streets
[00:07:42] and I guess she trusts like
[00:07:44] you know what, you're wearing like a cave hat.
[00:07:46] I guess I'll ride with you.
[00:07:48] And
[00:07:50] he takes her to the B&B in town.
[00:07:52] Marcus is all things
[00:07:54] to all people.
[00:07:56] He co-owns the B&B with his sister.
[00:07:58] He is, we know this,
[00:08:00] the sheriff. She doesn't know it yet.
[00:08:02] Thanks to maybe a lawyer because he's dressed up the next day.
[00:08:04] But he's not the only one that does everything.
[00:08:06] There's the other guy,
[00:08:08] Jake who does everything. Everybody's just kind of like
[00:08:10] you gotta, it's just fall down.
[00:08:12] Everybody's gotta do their part. That's exactly right.
[00:08:14] Exactly right.
[00:08:16] So
[00:08:18] she is holding what she...
[00:08:20] What am I saying?
[00:08:22] Sounds like he has something.
[00:08:24] She is holding what she's looking for.
[00:08:26] She's holding what she's looking for close to the vest.
[00:08:28] Yeah, there you go.
[00:08:30] Cause she's a wild word to get out.
[00:08:32] If word gets out, cool.
[00:08:34] Forget it.
[00:08:36] First order of business is to check the town archives.
[00:08:38] We love the archives.
[00:08:40] The mayor says that they're close.
[00:08:42] The archives are.
[00:08:44] They're way behind on the archives.
[00:08:46] So they're close.
[00:08:48] And she's like, hey I can sort them out for you.
[00:08:50] I know that you're
[00:08:52] you know, you got a lot going on.
[00:08:54] And she says that the birthday of the town is coming up.
[00:08:56] He's like,
[00:08:58] maybe another time.
[00:09:00] I want to focus on this birthday thing.
[00:09:02] Whatever.
[00:09:04] She decides that the best course of action is to
[00:09:06] break into the archives room late at night.
[00:09:08] But uh oh.
[00:09:10] Sheriff Marcus
[00:09:12] is there
[00:09:14] and throws her behind bars for a second.
[00:09:16] Marcus lets her go with a fine though.
[00:09:18] When Amelia finds out that there is a bunch of
[00:09:20] unsold tickets for the birthday celebration
[00:09:22] She tells the mayor that she can get them sold so fast to the antique elite in Boston.
[00:09:28] I did see antique elite life.
[00:09:30] Really good, really good.
[00:09:32] It's a slow set.
[00:09:33] It's a slow set.
[00:09:34] Yes.
[00:09:35] But it gets...
[00:09:36] But quality.
[00:09:37] Quality, quality.
[00:09:38] You just gotta take your time.
[00:09:39] That's right.
[00:09:42] If you let me look at the archives, then I'll get all these tickets sold.
[00:09:46] So naturally though, Marcus is there to keep an eye on her.
[00:09:49] So when it turns out that the archives are missing, he brings her down to the station to question
[00:09:54] her.
[00:09:55] She's basically like, here's the sticky wicket here, fella.
[00:10:00] I'm on a bit of a quest.
[00:10:03] And you can either help me or you could hurt me.
[00:10:07] You're a choice.
[00:10:08] Your choice?
[00:10:09] What?
[00:10:10] Yeah, basically.
[00:10:11] So much is true.
[00:10:12] So much is true.
[00:10:13] One or the other.
[00:10:14] That's how it works.
[00:10:15] He's like, okay, I'm at least a little bit interested.
[00:10:17] If you're not going to tell me what it is that you're doing here, then at least I can
[00:10:20] like follow you around and whatnot.
[00:10:22] So she's doing more things.
[00:10:23] She's having a good time.
[00:10:24] She finds a painting.
[00:10:26] And she's like, this might be a little something.
[00:10:29] So she takes it to Ramon from Science Field Delivered who we all know has a side job
[00:10:36] of being able to find things and paintings and whatnot.
[00:10:40] And discovers on this painting half the locket.
[00:10:47] So that tells you everything you need to know.
[00:10:51] Yep.
[00:10:52] And as at this point, it's at this point that Marcus finds out what she's actually here
[00:10:59] for.
[00:11:00] And he's like, this is really exciting.
[00:11:01] But then gets a little mad.
[00:11:04] It's like, I thought you, I thought we had some here.
[00:11:07] I don't really actually know why he's mad, but he is mad about four eyes.
[00:11:11] I didn't know why he was mad at that point in time.
[00:11:13] I think he was, he thinks she is just there to get famous.
[00:11:17] Right.
[00:11:18] Not really because she cares.
[00:11:19] I don't know.
[00:11:20] Maybe.
[00:11:21] Maybe not.
[00:11:22] Maybe.
[00:11:23] Yes.
[00:11:24] Could be.
[00:11:25] Maybe.
[00:11:26] Maybe.
[00:11:27] And he does get mad about money too when she, when he finds out that the whole
[00:11:31] reason why she's doing this is she'll get some more money and it'll help her
[00:11:36] be able to buy more stores away.
[00:11:38] But they get over it.
[00:11:39] They eat some food.
[00:11:40] They eat up a thing.
[00:11:41] A cannoli.
[00:11:42] Yeah.
[00:11:43] And they're having a good time.
[00:11:44] Finally, well there is someone who's been following her.
[00:11:48] Yeah.
[00:11:49] And it is the mayor's girlfriend.
[00:11:51] Pobby.
[00:11:52] And we know, we know why she was following her.
[00:11:55] I think we all do.
[00:11:56] She wanted to get that locket.
[00:11:57] She wanted to get that locket.
[00:11:58] She wanted to be first on the scene.
[00:12:00] All she has to show for it is this apron thing.
[00:12:03] This like, I don't know, this fabric.
[00:12:05] And on the fabric is a flower.
[00:12:08] She sees this flower and she's like, oh wow, this is exactly what
[00:12:11] this is.
[00:12:12] She goes back to the DMB where there's a chair with that same flower again, tells you everything
[00:12:19] you need to know.
[00:12:20] That takes them to a secret compartment.
[00:12:22] There's a riddle poem.
[00:12:24] Yes, there's a riddle and a compartment.
[00:12:26] Open up the compartment, there's a box.
[00:12:28] A little hidden compartment.
[00:12:30] You open up the box.
[00:12:32] There's another door.
[00:12:34] There's another door.
[00:12:37] They finally open up that door.
[00:12:39] Inside of that door, which is inside a door, inside of another door is the locket.
[00:12:45] It was in the back.
[00:12:46] In the back.
[00:12:47] In the back.
[00:12:48] Matching bags by the way.
[00:12:49] Snaps it back in place.
[00:12:50] We've got ourselves a full blown locket everybody.
[00:12:53] Congratulations.
[00:12:54] And Marcus is mad.
[00:12:55] Marcus is like, this is exactly what I was afraid of because she immediately tells
[00:13:00] her partner and her partner is like, hey now we can, you got the other half.
[00:13:05] Now we can sell it and open up multiple stores.
[00:13:09] We're going to Amsterdam.
[00:13:10] We're going to Miami.
[00:13:12] We're going to.
[00:13:14] We're doing it all.
[00:13:16] And she's picking up on that tension there.
[00:13:19] And so what she decides to do is throw away the dreams of her partner and stay here.
[00:13:25] She's going to stay here.
[00:13:26] They're going to put it on display.
[00:13:28] They're just going to help with the tourism of the town.
[00:13:32] And it gives her an opportunity to continue hanging out with Marcus and they clearly have
[00:13:36] all the chemistry in the world because they.
[00:13:38] And that my friends was.
[00:13:41] We did it.
[00:13:47] It's a door with it.
[00:13:48] There's a, there's a, and you open up that door.
[00:13:51] It's a secret compartment.
[00:13:52] Here's a box.
[00:13:53] Really.
[00:13:54] There are other.
[00:13:55] Another.
[00:13:56] In that.
[00:13:57] Anywhere in the room.
[00:13:58] Yes.
[00:13:59] We're going to take a quick break.
[00:14:00] We're going to come back.
[00:14:01] We're going to stay down with four segments here on.
[00:14:10] Check the whole mark.
[00:14:14] Someone in the comments, brayblejampplus.com, you can watch live with.
[00:14:17] Yeah, can comment along the way.
[00:14:20] So it's about this makes more sense than the actual movie and that.
[00:14:24] That's got to make you feel like really good.
[00:14:26] I feel really bad going in that one.
[00:14:28] Good.
[00:14:29] You feel really bad going into it.
[00:14:30] You did a great job.
[00:14:31] Thanks.
[00:14:32] Let's break this movie down.
[00:14:33] We're going to start with a hot tag where we share exactly how we felt about this movie.
[00:14:36] We're not going to hold back.
[00:14:38] Brian, you are a man of the people.
[00:14:42] You share the heart and the opinions of the collective and you present it to the listeners
[00:14:49] and viewers on the file.
[00:14:51] So please, what's the collective thinking?
[00:14:54] The collective thinking, yeah, I'll speak for everybody.
[00:14:56] No problem.
[00:14:57] Absolutely.
[00:14:58] Readers.
[00:14:59] You've been known to do that.
[00:15:00] Speak on behalf of readers.
[00:15:02] Yeah.
[00:15:03] Readers and writers.
[00:15:05] You can speak for the reading public.
[00:15:06] Right, absolutely.
[00:15:07] Yeah, we've already established that.
[00:15:09] I've been knighted in a sense.
[00:15:11] So Brian of the Readers.
[00:15:13] That's right.
[00:15:14] Let's try to, yeah.
[00:15:17] Bought her, Brian of the Readers.
[00:15:19] We'll find something.
[00:15:20] So Viv's interview with you guys, I must listen before this.
[00:15:25] I think.
[00:15:26] I had listened to about half the interview before I watched this movie and then I finished
[00:15:29] the interview was phenomenal.
[00:15:31] Thank you.
[00:15:32] Yeah, yeah, you guys did a really great job.
[00:15:34] And I think it's mainly us.
[00:15:36] It's not him and his great story.
[00:15:38] No, for sure.
[00:15:39] Yeah, his background is really, really intriguing.
[00:15:42] Yeah, could have talked to him all day.
[00:15:44] Yeah, he's unbelievable.
[00:15:45] I wanted to hear more.
[00:15:46] You know what I undersold in that interview?
[00:15:47] How excited I was to find out that his brother was on the show Doc with Billy
[00:15:51] Ray Cyrus because I love Gated Ray Bob.
[00:15:53] I know.
[00:15:54] I know.
[00:15:55] I know.
[00:15:56] It was late in the interview though.
[00:15:57] It was by early edition.
[00:15:58] It was a great one to punch.
[00:16:00] He started saying stuff that I had five follow-ups for and I was like, we're already an hour
[00:16:06] in.
[00:16:07] Yeah.
[00:16:08] And I just knew we couldn't do it because we got to promote this movie and everything
[00:16:10] and I just was.
[00:16:12] We have to have him back on.
[00:16:13] Yeah, it's phenomenal.
[00:16:14] Yeah.
[00:16:15] So it worked in the sense that like you knew he what he wasn't just going
[00:16:19] on screen and filming like he had stakes in this movie.
[00:16:22] Yeah.
[00:16:23] He helped put it together.
[00:16:24] He what he brings to a character.
[00:16:26] Like he spoke a lot about that.
[00:16:27] And so that added like a level of intrigue in this movie that I was glad to have.
[00:16:34] That said, there it is.
[00:16:36] It's classic.
[00:16:37] The there were things about it that were enjoyable.
[00:16:40] Just say it sucks.
[00:16:41] I was more really interested in the mystery.
[00:16:44] Marginally interested.
[00:16:45] I didn't.
[00:16:46] I forgot.
[00:16:47] I don't know if we knew from.
[00:16:49] If you see a sheet of paper, the margins are right on the very.
[00:16:52] They're small.
[00:16:53] You were basically not interested.
[00:16:55] A little margin.
[00:16:57] Like I like to make my margins narrow as well.
[00:17:00] So narrowly, marginally interested in the mystery of it.
[00:17:04] Marginally.
[00:17:05] I was marginally.
[00:17:06] I go narrow on this.
[00:17:08] I forgot there was a mystery component.
[00:17:10] I don't know if we knew that from the preview show.
[00:17:12] I forget the preview.
[00:17:14] I've wiped that for my mind.
[00:17:15] So I can't remember the small towniness of it was kind of fun.
[00:17:19] Like they felt like it's a lot like small towns in Massachusetts.
[00:17:22] Right?
[00:17:23] All over the place out there.
[00:17:25] We have a sheriff who and one guy who is the tow truck driver and the diner and the owner
[00:17:30] and the newspaper reporter.
[00:17:32] Yeah, that I feel like they leaned into that on purpose.
[00:17:36] I hope a little bit because that I thought that was funny that everybody was sort of
[00:17:40] doing everything.
[00:17:42] I don't know if Boston should thank them or be offended for all the shout outs.
[00:17:48] I hope they at least sent a cannoli to Wilmington.
[00:17:52] Wilmington.
[00:17:53] It's not Wilmington.
[00:17:54] Don't confuse it with Wilmington, which is a real town in Massachusetts.
[00:17:57] Oh, this wasn't supposed to be the real town of Wilmington.
[00:18:00] This was Wilmington.
[00:18:01] Oh, I thought it was supposed to be the real Wilmington, Massachusetts.
[00:18:05] Don't be confused.
[00:18:06] No, absolutely.
[00:18:07] No, I think it was a made up town.
[00:18:09] Are you from Wilmington?
[00:18:10] No.
[00:18:11] Don't be confused.
[00:18:12] You are very much wanting to draw a line there.
[00:18:13] Are you sure it wasn't Wilmington?
[00:18:15] Yes.
[00:18:16] Okay.
[00:18:17] Wilmington.
[00:18:18] Wilmington.
[00:18:19] Very different.
[00:18:20] Why wouldn't they just name it after the real town?
[00:18:21] Exactly.
[00:18:22] They did not.
[00:18:23] And it's so close to a real town name.
[00:18:27] So close.
[00:18:28] And you're already back.
[00:18:29] No, they went with Wilmington.
[00:18:31] The name of the lady, the wife.
[00:18:34] Wilmington.
[00:18:35] Wilmington.
[00:18:36] Got it.
[00:18:37] And just what I took away, another take away was underrated a fake fainting as a
[00:18:42] distraction.
[00:18:43] I laughed out loud when she fake fainted and it worked perfectly.
[00:18:46] We should do that more often.
[00:18:48] I love fake fainting.
[00:18:49] Yeah.
[00:18:50] I don't know if I gave you what you need to hear from me on my whole time.
[00:18:54] Brian hated this movie as being as nice as possible about it.
[00:18:58] There are things that I got to kick out of.
[00:19:00] That is what he did there.
[00:19:01] Great.
[00:19:02] In the interview that we did with Viv, we found out that this movie originally was
[00:19:08] going to be a murder mystery.
[00:19:10] Imagine if it was that.
[00:19:12] Just imagine if it was that.
[00:19:13] It wasn't.
[00:19:14] It wasn't that.
[00:19:15] We find out that Natasha is British in real life, which is impressive knowing
[00:19:23] that we what we know about her and when calls to heart.
[00:19:26] Correct.
[00:19:27] So that was that was fun.
[00:19:31] I don't I didn't care.
[00:19:32] I didn't care about it.
[00:19:33] I didn't care about the one.
[00:19:36] I think part of the problem with this is that the scene at the beginning.
[00:19:41] One was obviously close to Jane Austen.
[00:19:43] Two was also really over the top.
[00:19:46] Like I don't know if like that was a choice that was given or I don't know, but it was
[00:19:52] very like over the top and I just didn't really like care about it.
[00:19:59] And so I didn't really care about the mystery itself.
[00:20:02] Obviously, I've seen these two and one calls to heart and I like them just fine
[00:20:06] on the show and I like them just fine in this movie.
[00:20:09] But overall, a boring mystery for brand unfortunately.
[00:20:14] Yeah, I think that Natasha Burnett and Viv Leavock have really good chemistry in this
[00:20:19] movie even better than a win calls to heart in my opinion.
[00:20:21] Well, they get more time together.
[00:20:23] They do for sure way more.
[00:20:24] This movie is tough.
[00:20:27] It is like I felt bad.
[00:20:30] I wasn't I felt bad watching the movie because when Viv talked about this movie
[00:20:35] in our interview, you could you could see the inkling of what it was supposed to be
[00:20:40] and not what it was.
[00:20:42] They came to the table with a murder mystery.
[00:20:45] Hallmark took it and made it something else.
[00:20:47] And that something was just a disaster.
[00:20:51] It is the only like who's following part of this is so obvious as to who it is.
[00:20:58] The movie kind of hops all over the place.
[00:21:00] The character motivations don't make a lot of sense.
[00:21:03] It would be so much better if it was a mystery.
[00:21:05] What a waste of the two central performances.
[00:21:09] This was a very, very tough watch and I just to the extent I understood what was
[00:21:14] going on, I did not care.
[00:21:16] That's the line Roger Ebert would use in his movie reviews.
[00:21:19] He'd write and that is I felt that deeply in this movie.
[00:21:22] I just it was tough.
[00:21:24] It was a really like more actively bad than a lot of what we've seen like
[00:21:28] sense and sensibility.
[00:21:29] That movie wasn't for me, but I could see there was quality out there.
[00:21:32] This movie was actively bad and that was unfortunate.
[00:21:35] It's never good when it's boring.
[00:21:36] No, never good.
[00:21:37] You never like that.
[00:21:38] No, it's always tough.
[00:21:39] It's time for the all the fields where we're talking about what in this
[00:21:43] movie gave us those feels.
[00:21:45] Right?
[00:21:46] Yeah, I had I guess I would call them preservation feels in that you know
[00:21:50] you see these houses with like the year that they were built and
[00:21:54] their their antique and all this stuff.
[00:21:56] And there are all these special rules for preserving and the
[00:21:59] construction needs to be done a certain way.
[00:22:01] And I'm always like, forget that.
[00:22:02] Let's bulldoze that thing and put in a tennis court or whatever.
[00:22:06] Big tennis court guy.
[00:22:07] Yeah.
[00:22:07] Yeah.
[00:22:08] Well, aspirationally, I'd like to know.
[00:22:12] So, but I guess it's important if there are things hidden in secret
[00:22:17] compartments that's true.
[00:22:19] No one's asking those questions.
[00:22:21] Yeah.
[00:22:21] No one's asking those questions.
[00:22:23] You can't go just knocking down a house without checking for all
[00:22:25] the secret hidden stuff.
[00:22:27] And so I guess that is why it is important to preserve old stuff.
[00:22:31] You learned a lesson today.
[00:22:32] Yeah.
[00:22:32] Preservation is feels.
[00:22:34] Yeah, I'm always going to be more aware now when we're around old stuff
[00:22:36] like try to make us feel as boring as the movie.
[00:22:39] How'd it go?
[00:22:40] How'd I do?
[00:22:41] Great.
[00:22:41] You crushed it.
[00:22:42] Great.
[00:22:42] I got a bit of a kick when Ned came out and that was the mayor.
[00:22:45] Obviously, Ned is on the character on one close to heart who's
[00:22:49] always a hoot.
[00:22:51] So when he was the mayor, I made me made me happy.
[00:22:57] I had a feels for a TV show that I watched that was on for 12, I think 12 episodes called
[00:23:08] the finder.
[00:23:09] It was on Fox.
[00:23:10] It was Jeff Stoltz, Maddie Hasson.
[00:23:12] You've seen it because my feels was I felt like my wife and I would watch
[00:23:16] that show and it Michael Clark Duncan is this guy and he's just weird and
[00:23:20] eccentric and people bring him they feel like we need you to find this
[00:23:23] and he just if it strikes his interest, he goes and finds it.
[00:23:26] He doesn't need the money or whatever.
[00:23:27] He just lives in this middle of an island like down in the keys or somewhere.
[00:23:30] And I loved it.
[00:23:32] I love the show.
[00:23:33] It was abruptly canceled after 12 episodes and that's the best version
[00:23:37] of what this was kind of sort of trying to be.
[00:23:39] And it made me think of it and miss it.
[00:23:41] And once again, remember that I knew no one else to watch the show,
[00:23:44] but apparently producer Aaron watched the show.
[00:23:46] So there you have it.
[00:23:47] Aaron, you like good.
[00:23:49] So it is possible to do a mystery surrounding an object that you don't really
[00:23:54] care about and make an interest.
[00:23:56] It's a 42 minute procedural.
[00:23:58] So it's got all the elements of like a procedural, but the characters
[00:24:01] are eccentric and it's a fun little adventure kind of.
[00:24:03] Yeah, I will say I have not seen this movie yet.
[00:24:06] And the fact that you're comparing it to the finder and saying
[00:24:08] the finder did it better.
[00:24:10] I do think I'm going home tonight and just watching the finder.
[00:24:12] Yeah, the finder is a fun show.
[00:24:15] And I think it got Fox was trying to make a show that was like House.
[00:24:20] There was a, there were like, it was off of bones, I think there was years
[00:24:25] though after House where it was like backstrom with Rainn Wilson,
[00:24:28] like this cantankerous weird like anti hero.
[00:24:31] And then that didn't work.
[00:24:32] And then it was the finder and Jeff Stoltz is weird and kind of
[00:24:34] an ear and it just never really clicked for them like it did with House.
[00:24:37] It was like a spin off of.
[00:24:39] Yes, he was in an episode of Bones and they spun him off.
[00:24:42] They were looking for their next best friends.
[00:24:45] I mean, come on, Aaron.
[00:24:46] We're watching finder.
[00:24:49] You guys are going to have such a fun night.
[00:24:50] Yeah, these two bozos can watch Grindr and Waldo.
[00:24:54] That's right. But Grindr's we win.
[00:24:55] We might be a better show.
[00:24:56] We will find that. Yes. Yeah.
[00:24:58] I wish we had a DVD copy somewhere.
[00:25:00] Oh, that we could watch Grindr rest.
[00:25:01] Yes. It's all I got.
[00:25:03] Try it. There it is. Perfect.
[00:25:06] Hammer at home, Brandon.
[00:25:07] Sheesh.
[00:25:10] We're going to take a quick break.
[00:25:11] We're going to come back with the way one the what the
[00:25:12] Hallmark here on the Hallmark really good.
[00:25:15] Today is as good as we could be.
[00:25:23] Hello, friends, family, faculty, countrymen.
[00:25:26] It's great to be here today.
[00:25:28] Readers on the other side of this year.
[00:25:30] Great.
[00:25:30] I'm saying almost hopefully you're watching us on Filo.
[00:25:33] If you are after this, go check out the latest episode of the Filo Deep
[00:25:36] Dive. Really fun, but a fun program.
[00:25:40] There's one. Is it this week's?
[00:25:41] When's the one where we just can't contain the laughter?
[00:25:44] Who can say it's every week?
[00:25:46] Yeah, this week's is a time.
[00:25:47] This special. I brand says something that isn't funny at all.
[00:25:50] And it makes me laugh and I can't stop laughing.
[00:25:53] And then I look over and Aaron Aaron can't stop laughing
[00:25:55] and we can't get it together.
[00:25:56] And it turned out something tragic happened to this person.
[00:25:59] We're laughing about that usually.
[00:26:00] So it is a mess to tell you how often this happens.
[00:26:04] I don't even remember what you're talking about.
[00:26:06] This is just another name here on deck.
[00:26:08] The Hallmark. I know that that's something that we shouldn't say out loud
[00:26:10] because they're all real people.
[00:26:11] But, Brian, you're talking about this like monster truck, something other.
[00:26:15] Yes.
[00:26:15] The name of this person is right.
[00:26:17] I'm like, what's their name?
[00:26:18] And you go Randy Alicia just like that.
[00:26:20] And I can't stop laughing because I think you've made up the name Randy Alicia.
[00:26:25] And then it turns out Randy Alicia got into a massive accident,
[00:26:28] like cracked her spine and like, but we are already like the laugh
[00:26:33] train has left the station.
[00:26:35] So we're laughing. It's a mess.
[00:26:36] We probably shouldn't have aired it.
[00:26:37] So check it out on the Deep Dive.
[00:26:39] Oh, it'd be too late now.
[00:26:41] Let's talk a little bit more about Legend of the Lost Lockets.
[00:26:45] It's time for the way what is what we're talking about?
[00:26:47] What is we made us go away when I'll start with you, Brian. Brian.
[00:26:49] What made you go away? What?
[00:26:51] One thing was I feel like there is an argument to be made about whether
[00:26:55] he's a sheriff or maybe a chief of police.
[00:26:59] But he did not really do much of whatever he was supposed to be doing in his job.
[00:27:05] So I feel like it's a lot of form.
[00:27:07] He's with her.
[00:27:08] Yes. Yeah.
[00:27:09] Which is half the time supposedly he's at work and he's not in uniform.
[00:27:13] Like maybe I don't know if he just goes cash to like go in with.
[00:27:18] He's got his members only share a jacket off.
[00:27:20] Yeah, he does.
[00:27:22] I don't think you're allowed that's undercover.
[00:27:24] I don't know how like legal.
[00:27:25] I mean, there's some.
[00:27:27] Yeah. So you're saying he wears his uniform when he's not working.
[00:27:29] When he is working, he tries to blend in.
[00:27:32] It seems like he would do that.
[00:27:33] That's actually a really fair point.
[00:27:35] Yeah, he does do that.
[00:27:36] It seems like entrapment.
[00:27:38] A little bit, a little bit.
[00:27:40] And so I guess I'm going to let that slide, though, because I don't really,
[00:27:45] I don't know the town's antiques were like so pristine.
[00:27:50] Yeah, so nice.
[00:27:51] The town is the best, best antiques.
[00:27:54] The nicest antiques of the sheriff station itself,
[00:27:58] like the police station, sheriff station was empty all the time.
[00:28:03] And all the interrogations, I think they all took place at one table
[00:28:07] that was just out in the open, like no privacy, no discussion of,
[00:28:12] like, I'm going to give you time with a lawyer or nothing like that.
[00:28:15] Just right there and almost always in the background,
[00:28:18] just a real nice fireplace, real nice fireplace in that sheriff station.
[00:28:26] And just you got to have a good fire.
[00:28:28] I guess I guess.
[00:28:29] Well, that's I guess maybe that's just the coziness of a small town.
[00:28:32] Yeah.
[00:28:32] And you're not going to find that in big, big cities.
[00:28:35] And the last thing was the for a 200 year celebration.
[00:28:38] That was pretty low key, pretty like pretty low key.
[00:28:41] Maybe it was happening later like they get wild later.
[00:28:44] But I don't know.
[00:28:45] I figured it would have been a little more rip roaring.
[00:28:48] Rip roaring.
[00:28:50] I got a couple one when she first shows up at the BNB.
[00:28:54] She's talking to I don't remember her sister, the sister.
[00:28:58] Mark is a sister and she's like, tell me about the town.
[00:29:01] Like when was the town founded?
[00:29:02] And she goes, Hannah, when was the town founded?
[00:29:04] And I thought for sure this was like an Alexa that they named Hannah.
[00:29:09] But no, no, no.
[00:29:10] Hannah pops out from a door.
[00:29:13] Yeah, this little girl named Hannah and gives you the full history of the town.
[00:29:17] And I'm like, well, that was nice of Hannah.
[00:29:20] Maybe Hannah is an Alexa type thing because Hannah is always behind a door.
[00:29:27] Whenever you need Hannah, Hannah is just like, here's some fun information for you.
[00:29:32] Kind of like an Alexa.
[00:29:33] We kind of store Alexa way and go, Alexa, when the thing happened?
[00:29:37] Oh, you want me now?
[00:29:39] Kind of like that.
[00:29:40] So this is my big probably my biggest.
[00:29:42] Wait, what? Which is, do you know why she has all that information?
[00:29:45] Because she's studying for a test in school.
[00:29:47] Right. Right. That's right.
[00:29:48] In her school.
[00:29:50] She's studying for a town history test.
[00:29:53] Yes. Yeah.
[00:29:55] What?
[00:29:56] And they should why didn't you tie that in with the celebrate the town
[00:29:59] celebration?
[00:30:00] Like, it was right there.
[00:30:02] Girl who's what nine tenish?
[00:30:04] If that, yeah.
[00:30:05] They have decided that they are going to spend a huge chunk of her education
[00:30:09] not on the building blocks needed to accomplish bigger things,
[00:30:14] not on history that you need to know.
[00:30:17] But her studying for not a state like in South Carolina,
[00:30:21] there's one year where you have to take like a state hit like
[00:30:24] South Carolina history, sure.
[00:30:25] Not Massachusetts history.
[00:30:27] They're doing an entire course of study on the small town of Wilmington.
[00:30:33] And she knows some stuff.
[00:30:34] She does it.
[00:30:35] This ain't like the basics.
[00:30:36] Well, because her mom always makes her study just outside the room
[00:30:40] on the floor around the door that she is put her in a different school.
[00:30:44] I just feel like she's not.
[00:30:46] She was calling an Alexa when Hannah, when was the town found?
[00:30:51] Wow.
[00:30:52] I think it's very funny.
[00:30:55] What's her name in this movie?
[00:30:57] Alicia, maybe Randy Alicia.
[00:31:00] Is that one?
[00:31:01] It's Amelia Amelia Amelia.
[00:31:05] Amelia Amelia's commitment to handling these lockets with no gloves,
[00:31:12] no protection, nothing is outstanding.
[00:31:16] She throws caution to the wind any time she's handling these lockets,
[00:31:20] including when she gets to lock it out of the secret door within the secret
[00:31:25] door that has been there for 200 years.
[00:31:28] She switched that boy out, hands, nothing, no problem.
[00:31:32] Snap it back together like it's a reverse Kit Kat bar.
[00:31:36] It was wild how reckless she was, especially for an antique dealer.
[00:31:40] You would think there would be like she would always have gloves on.
[00:31:43] She'd probably wait to snap it.
[00:31:44] It wouldn't be like, let me give this to you.
[00:31:46] Let me give this to you.
[00:31:47] College.
[00:31:49] See, I've smashed them.
[00:31:52] I know I should use my tools, but why use my tools when I got my hands right here?
[00:31:56] Got my tools.
[00:31:58] Grubby hands.
[00:32:00] No gloves.
[00:32:01] No nothing.
[00:32:02] That's ridiculous.
[00:32:03] It's crazy to me.
[00:32:04] Dan, oh yeah, she checks into the B and B and they say upon check in
[00:32:12] that breakfast is complimentary at the diner down the street.
[00:32:16] Am I a charm of a small town?
[00:32:20] Am I confused at what a B and B is because they make a point of going.
[00:32:26] You're not at the chain hotel.
[00:32:28] You're at the bed and breakfast where breakfast is complimentary at the
[00:32:34] diner, if you'll walk down the street.
[00:32:37] That is not a B and B motel at best motel at best.
[00:32:43] You can't call yourself a bed and breakfast if you don't serve.
[00:32:48] That's one of the two B's.
[00:32:49] It's one of the two B's.
[00:32:50] Just a B.
[00:32:52] Yeah, it's not a B and B.
[00:32:54] You can't do that.
[00:32:55] The alternative though is having someone walk your breakfast over.
[00:32:58] It's cold.
[00:32:58] It's cold, but at least it would be bed and breakfast.
[00:33:01] It would be.
[00:33:01] I'm saying if you're making breakfast and you can't you can't be in there.
[00:33:05] Another option would be if they just made breakfast there.
[00:33:07] That's another one too.
[00:33:09] I don't know.
[00:33:09] Toaster.
[00:33:10] Yeah.
[00:33:11] Yeah.
[00:33:12] What do you need in order to get that B classification?
[00:33:14] I don't know.
[00:33:15] Continental breakfast.
[00:33:16] I bet you could make some eggs just like some cereals and yeah.
[00:33:19] Well, that's my thing.
[00:33:20] Like can I have to toast?
[00:33:21] So anti like and but what they're saying is is like you're going to get
[00:33:25] breakfast for free down the street.
[00:33:27] That's how it's a bed and breakfast.
[00:33:28] That's pretty nice though.
[00:33:29] Is that a diner?
[00:33:30] You get the full menu.
[00:33:31] I wonder.
[00:33:31] Yeah.
[00:33:31] What is there a cat?
[00:33:32] That's a weird thing.
[00:33:33] No cap price cap.
[00:33:35] But I don't know.
[00:33:36] I got plenty of questions.
[00:33:38] No answers for you.
[00:33:39] Great.
[00:33:39] Huh?
[00:33:40] Yeah.
[00:33:40] I can get a free steak and eggs down the street at the diner.
[00:33:43] People are correct to me in the chat.
[00:33:45] Please, please read a book.
[00:33:48] I understand that if you get breakfast that it counts.
[00:33:52] But have you ever heard of a bed and breakfast that goes the
[00:33:56] breakfast part of this B&B is actually not here.
[00:34:00] Go walk, take a right, go three blocks down.
[00:34:03] There's your breakfast.
[00:34:04] Here's a map.
[00:34:05] That is the spirit of the law, not the letter of the law.
[00:34:07] If I check into a bed and breakfast, I shouldn't have to go
[00:34:10] somewhere else for the breakfast.
[00:34:12] We don't know enough about B&Bs.
[00:34:14] I don't stay at a lot of them.
[00:34:15] Maybe this is the norm now.
[00:34:16] Maybe maybe this is what's happening.
[00:34:18] Maybe this is what's happening.
[00:34:20] A lot of people start going willy nilly with B&Bs.
[00:34:24] Advantage of the letter of the law of the breakfast B&B.
[00:34:30] She has a rental car.
[00:34:31] The rental car breaks down.
[00:34:33] She the local mechanic is fixing the rental car.
[00:34:37] We hear that the rental car is going to be out of commission
[00:34:39] for the rest of her time in this small car.
[00:34:41] How about the rental car?
[00:34:42] Yeah, that's because she says, don't worry.
[00:34:46] I called the rental company.
[00:34:47] I'm getting a full refund.
[00:34:48] I should hope so.
[00:34:49] Yeah, I would hope that's a minimum.
[00:34:51] Most rental core companies, at least the reputable ones
[00:34:54] would send you a new car or find a place for you to check
[00:34:58] in and get a new car.
[00:34:59] Like, like you can't just say, well, we'll give you a
[00:35:04] refund because the axle.
[00:35:05] You need a car.
[00:35:06] You rented right?
[00:35:07] The rental car that you rented and you we said would work.
[00:35:11] Yeah, isn't working.
[00:35:12] You're on your own.
[00:35:13] Your S.O.L. Maybe they didn't say it would work.
[00:35:15] Uh, maybe they didn't.
[00:35:16] So what?
[00:35:17] Hello? Who is this?
[00:35:19] This is Axel Broke.
[00:35:22] Your first name is Axel.
[00:35:24] Axel Rogers brother.
[00:35:26] You don't name different.
[00:35:27] This though.
[00:35:29] So so different.
[00:35:32] So you are the brother of rock.
[00:35:35] I called Rose some guns and roses.
[00:35:38] Wow, that's cool.
[00:35:39] And but your last name is different.
[00:35:42] Yes.
[00:35:44] Axel Broke by birth.
[00:35:46] It's different obviously by birth.
[00:35:49] It's different.
[00:35:49] He says OK.
[00:35:50] And why are you calling in?
[00:35:52] I thought you called me.
[00:35:54] I didn't.
[00:35:54] I didn't.
[00:35:55] You said Axel Broke.
[00:35:56] Come here.
[00:35:56] Hannah.
[00:35:57] Hannah.
[00:35:58] Hannah.
[00:35:58] Come here.
[00:35:59] Come here.
[00:36:00] Huge mistake.
[00:36:01] Really sorry.
[00:36:02] Uh, you got any questions for me?
[00:36:04] I don't have anything.
[00:36:04] Give me one.
[00:36:06] How do you have a different way?
[00:36:08] I don't know.
[00:36:08] I'm going to take the fix and Axel because this.
[00:36:10] I don't know.
[00:36:11] You don't know what Squabbell cause.
[00:36:12] Man, you got one.
[00:36:15] When you say your last name was different at birth.
[00:36:17] Right.
[00:36:18] What do you mean?
[00:36:19] It means that at birth they did a switch mumps.
[00:36:23] I ended up somewhere else.
[00:36:25] Is the mom and dad the same as Axel Rose's mom and dad?
[00:36:29] But they didn't know about me.
[00:36:31] Neither of them.
[00:36:32] That explains it.
[00:36:34] Yeah.
[00:36:35] Okay.
[00:36:36] All right.
[00:36:36] That's a great answer.
[00:36:37] Thank you.
[00:36:37] Aaron, do you have a question?
[00:36:39] No, no, no.
[00:36:40] For me, Axel Broke.
[00:36:41] Do you got a question?
[00:36:43] I have no question.
[00:36:44] All right.
[00:36:44] God bless guys.
[00:36:45] None.
[00:36:45] You're fine with this.
[00:36:46] Yeah.
[00:36:47] Um, oh, go ahead.
[00:36:49] Sorry.
[00:36:50] Brand muted.
[00:36:51] He was almost gone.
[00:36:52] If I ask us questions, maybe he'll hang up.
[00:36:55] Oh yeah.
[00:36:56] That's that's the talk.
[00:36:57] Jokes on you.
[00:36:58] Producer.
[00:37:03] As as someone that's been to that was weird.
[00:37:05] That was so weird.
[00:37:07] Friend, did you have a question for Axel?
[00:37:09] I didn't.
[00:37:10] I feel like we handled it.
[00:37:12] Just of it's different.
[00:37:13] Just live her last name and birth.
[00:37:15] Switch them up as someone that's been to Boston
[00:37:18] for a total of five days of my life.
[00:37:19] I'm offended on behalf of the city of Boston
[00:37:22] for what is portrayed in this movie as Boston.
[00:37:25] Forget the fact that no one has an accent.
[00:37:27] I actually was happy about that.
[00:37:28] I was happy.
[00:37:29] We didn't have this thing where one person is trying
[00:37:30] on one person isn't, but they do this whole bit
[00:37:33] where there's like, if you're in Boston,
[00:37:35] you've got to have a cannoli.
[00:37:36] Not untrue.
[00:37:37] I went when I was in Boston.
[00:37:39] I found seafood, found clam chowder,
[00:37:41] found lobster rolls, did go to the North Inn
[00:37:44] and find all those pastry shops,
[00:37:45] all the rival ones across the street.
[00:37:47] Try them all like the cannoli at Mike's.
[00:37:50] Phenomenal.
[00:37:51] Yeah.
[00:37:51] Really good.
[00:37:52] What goes on in this movie is patently absurd.
[00:37:56] It is like how they treat barbecue in these
[00:37:58] Hallmark movies as a Southern or I'm like,
[00:38:00] you're correct.
[00:38:00] Like, you know, at these cannoli places,
[00:38:03] like there's a line out the door,
[00:38:04] there's trees hanging everywhere,
[00:38:06] they're wrapping the boxes.
[00:38:07] They're screaming at you.
[00:38:09] This is like a quaint little coffee shop
[00:38:12] that no, it's like the most hidden gym
[00:38:15] in all of Boston that serves the best cannoli,
[00:38:17] but no one knows about it.
[00:38:19] Full counter.
[00:38:20] And then he's talking and he goes,
[00:38:22] well, we did cannoli.
[00:38:23] So next on the list, obviously is hot dogs.
[00:38:25] You know how Boston's known for two things.
[00:38:27] Canolies and hot dogs.
[00:38:29] Yeah.
[00:38:29] What? What?
[00:38:31] What are you talking about?
[00:38:32] Like if you go to Boston, Fenway Park, yes.
[00:38:35] Hot dogs.
[00:38:36] Nobody mentioned Fenway Park.
[00:38:37] This guy brought up hot dogs
[00:38:39] and then he brings up Fenway Park.
[00:38:41] Like that's he's that I just I just feel like
[00:38:43] no one here had ever seen a Boston.
[00:38:45] Like they just weren't even anywhere near it.
[00:38:48] And it was really, really tough.
[00:38:50] You'll if you were at a police station,
[00:38:53] I just need to say this, this is a wait, what?
[00:38:55] But really it's good for your personal education.
[00:38:58] If you're a police officer, cannot say to you,
[00:39:02] you'll leave when I say you can leave
[00:39:05] unless they have read you your rights and arrested you.
[00:39:09] That's the only time that they can say that line to you
[00:39:12] in this movie.
[00:39:14] Viv Leacock says that to Natasha Burnett.
[00:39:17] She tries to get up and leave
[00:39:19] and he looks at her and says,
[00:39:21] you'll leave the police station when I say you can leave.
[00:39:24] That is called abuse of power.
[00:39:28] You can't do that.
[00:39:30] She wasn't under arrest for anything.
[00:39:33] She was there of her own volition.
[00:39:35] You can't just throw that in the dialogue for this.
[00:39:38] Yeah, you could totally get in trouble for this.
[00:39:41] I just I couldn't believe it.
[00:39:44] I just couldn't believe what was going on there.
[00:39:47] And then the fact that Viv Leacock has a painter,
[00:39:51] restore guy in Boston was wild to me.
[00:39:54] I'm going to need this restored.
[00:39:55] It's going to take me weeks.
[00:39:56] I got a guy.
[00:39:58] That was impressive.
[00:39:59] You got to have a guy.
[00:40:00] Very impressive that you just had a guy.
[00:40:02] Yeah, the guy for a lot of things.
[00:40:03] Yeah, yeah, yeah, that's true.
[00:40:04] I do have a guy for a lot of things.
[00:40:06] Pain, paint restoring.
[00:40:09] Fire damage restoring.
[00:40:10] I bet if it was something that you needed to have done before,
[00:40:13] then then you would have.
[00:40:15] Maybe he maybe he's done this before.
[00:40:17] You don't know his story.
[00:40:18] It's true just because he's a sheriff doesn't mean
[00:40:20] maybe he's really into gunning.
[00:40:21] But you're right.
[00:40:22] You know what?
[00:40:23] I'll take that one back because I do end up.
[00:40:24] I have a guy for most things.
[00:40:26] What?
[00:40:26] You have a guy?
[00:40:27] Not for that.
[00:40:28] Once you need a guy, you end up having a guy.
[00:40:31] That's right.
[00:40:32] But why would he have ever?
[00:40:33] He didn't say that.
[00:40:33] He's like, I got a guy.
[00:40:34] Well, he's a detective before that.
[00:40:36] Do the math.
[00:40:36] So he has a guy.
[00:40:37] Maybe it's a what the hallmark.
[00:40:39] When did he need a painting?
[00:40:40] There you go.
[00:40:41] That's a great one.
[00:40:41] It's a great one with the hallmark.
[00:40:42] Great.
[00:40:45] For what the hallmark.
[00:40:45] Danny, want to go?
[00:40:47] Sure.
[00:40:49] This whole detective.
[00:40:49] Oh, you want to do a different one?
[00:40:50] OK, good.
[00:40:51] No, I was doing it again.
[00:40:53] My other one is she meets.
[00:40:54] She goes to the diner for breakfast
[00:40:56] and there's a woman there.
[00:40:57] And the woman is appalled that anyone would ever
[00:41:00] visit this town for any reason.
[00:41:03] The librarian, right?
[00:41:04] Wasn't she?
[00:41:05] She is.
[00:41:05] I don't know what she's at the diner table
[00:41:08] and she's got I think she's got red hair
[00:41:10] and she basically is like, why would you come?
[00:41:13] You're an antiques dealer.
[00:41:14] Why would you come here instead of anywhere else?
[00:41:17] That's her line.
[00:41:19] Well, why are you that like how bad is the place?
[00:41:23] If you think people should go literally anywhere else,
[00:41:27] why are you there?
[00:41:28] Like she's the worst person.
[00:41:30] Like, yeah, you have to be so mean.
[00:41:32] But what is it are in tea are antique dealers
[00:41:35] known for like avoiding small towns like I don't get it.
[00:41:40] I don't know what they're known for.
[00:41:42] I just want more shoes.
[00:41:44] You would think that small towns would have all the good stuff.
[00:41:46] Who thinks so?
[00:41:48] Brian, do you got any with the homework?
[00:41:49] Yeah, well, they just really quick said
[00:41:51] we had to move the town hall due to a sewage issue
[00:41:54] and then moved on.
[00:41:56] I'm like, hold on a second here.
[00:41:58] What kind of sewage issue are we talking?
[00:42:01] Like, when have you ever heard of a sewage issue so bad
[00:42:04] you have to move a building instead of fixing the sewage?
[00:42:07] Like they just leave it?
[00:42:08] Like is that where it all drains?
[00:42:09] That's real bad.
[00:42:10] And they're like, let's just move the building
[00:42:11] and continue to drain all the sewage out.
[00:42:13] And then after that, they go to the spot
[00:42:17] and there's a playground.
[00:42:18] So I'm like, I really,
[00:42:21] they didn't mention cleaning up the sewage issue.
[00:42:23] I really hope they did.
[00:42:24] What the heck was going on with that sewage?
[00:42:27] This movie ends in a way.
[00:42:32] So at the end of this movie she decides to stay
[00:42:35] and they go to this big ceremony
[00:42:37] and it's a big fun time.
[00:42:38] She kisses Viv, then looks over Viv's shoulder
[00:42:43] and there is the ghost of Queen Elizabeth I.
[00:42:51] Not a thing that happens throughout the movie.
[00:42:56] What was that?
[00:42:57] And why was that the way,
[00:43:00] like I think they tried to sneak it by us.
[00:43:03] They tried to sneak it by us.
[00:43:05] There's a ghost in this movie
[00:43:08] and so a ghost that just kind of like winks at you
[00:43:11] like you did it, congrats.
[00:43:14] Cut to Brian, Brian Wink.
[00:43:17] It's just like that.
[00:43:18] So that's what the ghost does.
[00:43:19] And they steal that from me?
[00:43:21] They do, they just, I didn't see it coming
[00:43:24] and then they do nothing.
[00:43:26] That's the end of the movie.
[00:43:27] What if we end with ghosts?
[00:43:28] What if we end with ghosts?
[00:43:29] And my, I think my, what the homework comes down to
[00:43:32] what if we didn't end with ghosts?
[00:43:33] What if we didn't?
[00:43:34] What if we didn't end with ghosts?
[00:43:35] Let me play Devil's Advy here.
[00:43:37] What if we didn't?
[00:43:38] It's time for the double dicker of the week.
[00:43:40] It's where we dive into the life of one of the double dekkers
[00:43:44] that signed up for brandwildjamplus.com
[00:43:47] with a double dicker to your hire.
[00:43:48] We have access, thanks to Panda
[00:43:51] who did all the certification.
[00:43:52] Yeah, the Google Plus.
[00:43:53] Yeah, yeah, it was a lot to get going.
[00:43:54] Pass that down to Brian.
[00:43:56] You got it, Brian.
[00:43:57] I got it.
[00:43:57] And I understand that we have a good one here today.
[00:44:00] Dan, who are we celebrating?
[00:44:02] Today's double decker, Teresa Campbell.
[00:44:06] Yes. Teresa Campbell.
[00:44:07] That's right.
[00:44:08] That's a good double decker.
[00:44:09] Yeah, that's a good double decker name right there.
[00:44:11] It's a strong one.
[00:44:12] Yeah, Teresa Campbell.
[00:44:13] I got word.
[00:44:14] You looked her up?
[00:44:15] Yeah, I did a little bit.
[00:44:16] So Panda handed all this stuff over the keys to the castle.
[00:44:21] I broke in there.
[00:44:22] I've been in there once you log in, you can't log out.
[00:44:24] Is it an actual castle?
[00:44:25] No, it's like a virtual castle.
[00:44:27] It's sort of like a sim thing.
[00:44:29] You're like in a virtual world.
[00:44:31] All right.
[00:44:32] Once you're in the castle, you can't leave.
[00:44:33] That makes a lot of sense actually.
[00:44:34] Yeah, and you're just poking around.
[00:44:36] And like, so I open this drawer
[00:44:38] and then in the drawer is another compartment.
[00:44:41] And I open the box of the compartment
[00:44:42] and in there was like a little bag.
[00:44:44] Yeah, I opened it.
[00:44:45] And so I heard from inside the castle,
[00:44:48] Teresa is actually trying to start up
[00:44:51] like a lifestyle culture branch.
[00:44:53] She's sort of like a guru influencer.
[00:44:55] Or like sort of like that.
[00:44:56] But more of like a type of lifestyle stuff like pants.
[00:45:00] No, more like, you know how
[00:45:02] there's a big like energy drink culture right now?
[00:45:05] Yes, huge.
[00:45:06] Really big.
[00:45:07] Yeah, Celsius eight hour all the eight hours
[00:45:09] and all the OG I would say they've been around
[00:45:11] five hour. I'm sorry.
[00:45:13] Eight hour.
[00:45:14] What can I do?
[00:45:14] Ironically, this is five hours before a monster.
[00:45:18] I think it was five hour was one of the OG.
[00:45:21] Yeah, like oh seven oh eight.
[00:45:23] And so Teresa is thinking like I'm going to rebrand myself
[00:45:26] and I'll be leaving myself a guru
[00:45:28] because that's all you have to do.
[00:45:29] You just say I'm the guru.
[00:45:31] And so you're a girl for all the readers.
[00:45:33] That's right.
[00:45:34] Read guru.
[00:45:35] And so Teresa has this idea that OK,
[00:45:38] all this energy culture enough like we need something
[00:45:41] that's the polar opposite where it's
[00:45:43] to zap your energy.
[00:45:44] It's sort of like that.
[00:45:46] But it's it's a little bit more than just energy.
[00:45:49] It's like if you make plans and you don't want them anymore,
[00:45:52] you don't want to do it.
[00:45:53] You know, the day comes and you're like,
[00:45:54] I don't want to do this.
[00:45:56] Oh, I don't want to do what I said I was going to do.
[00:45:59] She's trying to normalize the this concept
[00:46:02] of eight hour energy, ironically is the name of it.
[00:46:06] It's sort of the opposite of what you would get
[00:46:09] from a five or a monster called eight hour energy.
[00:46:13] Eight hour energy and it's not a company per se.
[00:46:16] It's more of like a lifestyle where you're like,
[00:46:19] I got so much going on.
[00:46:21] It's all been kind of eating up my energy.
[00:46:23] So it ate my energy and that's all you have to say
[00:46:27] from her perspective.
[00:46:28] You got plans.
[00:46:29] You go to slogan.
[00:46:30] It's sort of like, but it's like a lifestyle.
[00:46:32] Eight like a hashtag.
[00:46:34] Yeah, like eight hour like hour collect.
[00:46:39] You are yeah.
[00:46:40] Energy. So instead of like I got all this energy.
[00:46:43] It's like, hey, this has been this ate my energy.
[00:46:46] So it was Castle when you're in there, you're in there.
[00:46:48] You're just you're poking around.
[00:46:50] Yeah. You're sure this was in there.
[00:46:52] This was this was tucked real deep.
[00:46:54] This is really this is like behind a brick.
[00:46:56] Yeah.
[00:46:57] So I don't think I was supposed to find it,
[00:46:59] but I did in Teresa.
[00:47:00] So she's pioneering eight hour energy.
[00:47:02] Eight hour.
[00:47:02] It's a game or energy.
[00:47:04] And you're okay with he's trying to make money off of a slogan.
[00:47:08] It's not about the money, but yes, it's not about the money,
[00:47:10] but TM, obviously,
[00:47:11] pending our energy, hashtag, hate our energy.
[00:47:15] So I'm like three quarters through Legend of Lockett.
[00:47:18] I could have tweeted hashtag eight hour energy and it's OK.
[00:47:21] And I will get it.
[00:47:22] So hey, you've done enough.
[00:47:25] But no one's asking like who's our night.
[00:47:28] That's the thing. You don't have to ask a lot of questions.
[00:47:30] You don't have to ask a lot.
[00:47:31] It sort of explains myself.
[00:47:32] But I'm like, man, I'm watching this dumb locket movie.
[00:47:35] Hashtag eight hour energy.
[00:47:36] They're going to be like, thank you, Teresa.
[00:47:38] Thank you, Teresa.
[00:47:39] Everybody just thank Teresa because you don't have to explain yourself anymore.
[00:47:42] Well, the opposite of the energy culture.
[00:47:45] So people are saying I'm over this.
[00:47:47] People are saying that the ghost at the end is Wilma.
[00:47:52] But I thought Wilma.
[00:47:53] I thought it was I thought she changed her name to Wilma.
[00:47:56] No, from Wilma.
[00:47:57] Then who was the whole snippet about the Queen Elizabeth?
[00:48:01] She got the locket from Queen Elizabeth.
[00:48:03] It was originally.
[00:48:03] I knew who the ghosts were.
[00:48:06] I still thought it was stupid.
[00:48:08] Yeah, yeah.
[00:48:08] They had not done it all.
[00:48:09] My point was why ghosts.
[00:48:11] That's right.
[00:48:12] It's not.
[00:48:13] No, who that like there's a lot of people like you guys don't.
[00:48:15] Sorry.
[00:48:15] For some reason, I thought that queen who I knew who they were.
[00:48:19] It was stupid.
[00:48:20] It was dumb. Why did they do it?
[00:48:22] They didn't do it all movie.
[00:48:22] They did at the end because they the locket means they've
[00:48:25] they've kind of closed their ghost loop.
[00:48:27] For some reason, I thought that Queen Elizabeth wanted to be with this guy.
[00:48:31] So bad changed her name to Wilma.
[00:48:32] That was what I thought.
[00:48:34] Oh, no.
[00:48:36] Fine. Fair enough.
[00:48:36] That's a good eight hour energy.
[00:48:38] Eight hour.
[00:48:38] It's guys.
[00:48:39] This is proof of concept proof of concept.
[00:48:42] Eight hour energy done and done.
[00:48:44] We're going to be back tomorrow with another one calls to heart review
[00:48:47] until then.
[00:48:48] Maybe the first wish you a merry Christmas.
[00:48:51] Deck the Hallmarks of Braveledure and podcast is produced by Aaron Shea.
[00:48:55] For more information on deck the homework, you can go to deck the
[00:48:57] hallmark.com for more information on the deck, the Hallmark family.
[00:49:00] You can go to bramble jam plus.com deck.
[00:49:02] The Hallmark is presented by Philo TV for a free trial of Philo.
[00:49:06] Go to Philo dot TV slash DTH.
[00:49:13] You're about to hear some ads that help keep the lights on here in the old studio.
[00:49:19] Thanks for listening or don't listen.
[00:49:21] It's really up to you at this point.
[00:49:23] Is that the end of the show?
[00:49:25] I mean, you're listening to me.
[00:49:26] Hi, but here they come.
[00:49:28] I promise they're coming.
[00:49:29] Yep. Here they are.
[00:49:31] Happy day.
